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The Art of Dress: Clothes and Society 1500-1914
 
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The Art of Dress: Clothes and Society 1500-1914 (Hardcover)

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4.6 out of 5 stars  See all reviews (7 customer reviews)


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  Hardcover, August 31, 1996 -- -- $31.92
  Paperback, August 16, 2009 -- $26.47 $73.62

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Editorial Reviews

From Library Journal

During the four centuries treated here, fashion was the province of rank and wealth; myriad conventions applied to all occasions and social strata. Historian Ashelford offers not only descriptions of garment details and of the manner of wearing in historical context but also excerpts from writtings by contemporaries. Her presentation is synchronized with over 260 paintings, drawings, and photographs?England's National Trust allowed remarkably well-preserved period garments to be taken out of storage and photographed for this sumptuous volume. Men's and women's attire are discussed in depth, and a chapter each is devoted to children's and servants' clothing. Costume historians and students should welcome this rich source of information?there is a lengthy section of notes?but general readers will enjoy this book as well. Highly recommended.?Therese Duzinkiewicz Baker, Western Kentucky Univ. Libs., Bowling Green
Copyright 1997 Reed Business Information, Inc.


From Booklist

It is perhaps indicative of our uncertainty about and schizophrenic regard for fashion that we understand all too well photographer Cecil Beaton's annoyance at being labeled a "propagandist for frivolity." Drawing from three major costume collections owned by Britain's National Trust, as well as that country's vast scholarly resources, lecturer Ashelford, with the assistance of Andreas von Einsiedel's camera work, draws wondrous word pictures of four centuries of British clothing, mind-sets, and society. What emerges from the scrutiny of 400 years is the historical recognition that clothes no longer make the man; by 1914, master and servant, mistress and maid, could be mistaken by appearances alone. That progression is also documented by literary and artistic currents; analysis of Shakespearean dramas and Holbein portraits, for example, show in a glance various dressing rites and rituals. Fascinating facts will allure readers, as will the incredibly wide range of subjects--children's apparel, the retail trade, wigs, and servant dress, among others. Barbara Jacobs

Product Details

  • Hardcover: 320 pages
  • Publisher: Harry N. Abrams (September 1, 1996)
  • Language: English
  • ISBN-10: 0810963175
  • ISBN-13: 978-0810963177
  • Product Dimensions: 10 x 9.9 x 1.2 inches
  • Shipping Weight: 3.7 pounds
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon.com Sales Rank: #1,070,912 in Books (See Bestsellers in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
4.6 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
29 of 29 people found the following review helpful:
5.0 out of 5 stars Excellent costume design resource, January 16, 2000
This is a wonderful book with and opportunity to see how the physical period clothes actually drape on a form. Close-ups on the weave and details of the garments are also informative. This is a great book for costume designers who are tired of guessing from paintings on the historical accuracy of how things fit. Made for the designer not the seamstress, I'm afraid.
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45 of 48 people found the following review helpful:
5.0 out of 5 stars Superb UK costume reference, December 1, 1999
By Daniel (Reading, UK) - See all my reviews
This is a wonderful book! And I'm not saying that just because I'm English and I know intimately the Paulise de Bush collection (one of the collections featured in this book.). It deals specifically with the history of European costume (not American or ethnic costume - sorry, US of A'ians!) as reflected in the collections of English houses and collections in the National Trust, and has mouthwatering images. A MUST for all costume historians and fans of the art of antique costume. It is unfair to complain that this will not be of any help to the seamstress, because that was not its aim. It is intended to overview the changes in English fashion as reflected through the contents - paintings, engravings, drawings and actual textiles - of Stately Houses and holdings belonging to the National Trust. WONDERFUL book for the social historian of English fashion, and of interest to anyone who appreciates costume for its own sake.
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25 of 25 people found the following review helpful:
5.0 out of 5 stars A visual feast and a fascinating look at clothing & culture!, October 11, 2001
Ashelford's book is a must-have for the serious costume historian and for those who just enjoy looking at historical clothing. The photographs are beautifully executed so that the details of fabric, embellishment, color and form are easy to see and appreciate. The accompanying period portraits, fashion plates and illustrations are helpful for establishing time periods and decades of fashion styles. Ashelford's text is most insightful and fun to read. Clothes and culture go hand-in-hand, as Ashelford ably demonstrates. Don't miss adding this delightful volume to your personal library!
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Most Recent Customer Reviews

4.0 out of 5 stars Not many photos of actual clothes
I expected this book from its description to have far more photos of original garments; it's primarily illustrated with plates of paintings. Read more
Published on October 21, 2003 by Kristin Brown

5.0 out of 5 stars Just one word- WOW!
I first read this at the shakspearen festival in ceader city, and WOW! I didn't even know such old dresses could survive that long! This is an excellent cofee table book!
Published on August 22, 2000 by Victoria

5.0 out of 5 stars Wonderful Read
This is a beautiful book which provides an interesting view of clothing and society. The book is full of paintings, primary resources, and best of all, wonferful photographs.
Published on March 20, 1999

3.0 out of 5 stars A great library reference
My first encounter with this book was in giving myself a crash course in the dress of Amer. women of 1830-40 so I could sew for a Living History program. Read more
Published on March 26, 1998

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