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Editorial Reviews
Michael Kimmelman, The New York Times Magazine
"The most important American artist of his generation."
Book Description
Filled with hundreds of Matthew Barney's fantastical images, this comprehensive volume, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, surveys the popular artist's CREMASTER cycle—an epic five-part film project that uses the biological model of sexual difference as its conceptual departure point.
"The most important American artist of his generation."
Book Description
Filled with hundreds of Matthew Barney's fantastical images, this comprehensive volume, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, surveys the popular artist's CREMASTER cycle—an epic five-part film project that uses the biological model of sexual difference as its conceptual departure point.
Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators— composer, costume designer, make-up artist, technicians, and actors—reveal his working process. In addition to stills from the five films—including the final episode, CREMASTER 3, which will premiere at the exhibition—the book features related sculptures, photographs, drawings, and storyboards. For anyone intrigued by this Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds.
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Look Inside This Book
Citations
(learn more)
4
books
cite this book:
- Eroticism & Art by Alyce Mahon in Back Matter (1), and Back Matter (2)
- Carnal Thoughts: Embodiment and Moving Image Culture by Vivian Sobchack on page 224
- Art and Obscenity (Art and... Series) by Kerstin Mey in Back Matter
- In the Making by Linda Weintraub in Back Matter