Guitarmaking: Tradition and Technology: A Complete Reference for the Design & Construction of the Steel-String Folk Guitar & the Classical Guitar (Guitar Reference) (Paperback)

by Jonathan Natelson (Author), William Cumpiano (Author)

Editorial Reviews

Product Description
Hailed by Guitar Player magazine as "perhaps the finest book on guitars ever produced," and by Booklist as "a Rolls Royce of construction guidebooks," this impressive volume is the first book of its kind to describe in depth how both steel-string and classical guitars are actually designed and built. Over 450 photographs, drawings, and diagrams reveal in exquisite detail the hows, whys, and how-to's of the traditional craft of guitarmaking, all accompanied by fascinating historical and technical notes. A comprehensive bibliography; a list of tools, materials, and supply sources; and a full index complete this uniquely authoritative reference -- and essential acquisition -- for guitar and craft enthusiasts, woodworkers, and students of instrument making everywhere.

About the Author
Jonathan D. Natelson builds and repairs classical guitars and is a national supplier of tone woods for constructing stringed instruments. He lives in Philadephia.

William R. Cumpiano is a master guitarmaker and teacher of instrument building and repair in Amherst, Massachusetts, serving professional musicians across the country.

Product Details

• Paperback: 392 pages
• Publisher: Chronicle Books (December 31, 1998)
• Language: English
• ISBN-10: 0811806405
• ISBN-13: 978-0811806404
• Product Dimensions: 10.7 x 8.3 x 1.1 inches
• Shipping Weight: 3 pounds (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars See all reviews (43 customer reviews)
• Amazon.com Sales Rank: #37,772 in Books (See Bestsellers in Books)

  Popular in these categories: (What's this?)

  #42 in	Books > Entertainment > Music > Instruments & Performers > Strings
  #56 in	Books > Entertainment > Music > Reference
  #69 in	Books > Entertainment > Music > Theory, Composition & Performance > Techniques

Customer Reviews

Most Helpful Customer Reviews

33 of 33 people found the following review helpful:

5.0 out of 5 stars This is the book for all beginning and intermediate luthiers, April 3, 1998

By A Customer

In the research stage of my luthier career I bought quite a few books. Without a doubt my favorites would be this book and Robert Benedetto's "Building an Archtop Guitar". What makes this book so outstanding is that it actually breaks the process down into unique steps. Most books will tell you to "Plane the top plate to the correct thickness". This book tells you how to do it, not just what to do. This is also the only book on guitar building where the author anticipates the areas where the beginning luthier might have problems. There are several areas where you're told to do such and such a step (which may not be obvious) in order to avoid such -and-such a problem. There's also several times when the author tells you how to escape from common mistakes. I own a lot of guitar building books but this is the one that sits in the top of my tool chest.

27 of 27 people found the following review helpful:

4.0 out of 5 stars Direct and Informative, September 29, 2003

By	Marc Ruby™ "The Noh Hare™" (Warren, MI USA) - See all my reviews (TOP 10 REVIEWER)

All woodworkers are perfectionists, but those who make musical instruments live in a special place in hell. For them, each step, no matter how small can have a huge, and unexpected effect on the final result. Even if they follow the same plans and use the same materials, two guitarmakers can have significantly different results.

Developing the techniques that will give the craftsman both consistency and control over the final result can often take a lifetime of experimentation. This excellent book, by Cumpiano and Natelson, helps to bridge the gap between novice and journeyman. It will enable most aspiring luthiers to produce something special.

The writers focus on the practicalities of guitarmaking - the tools and techniques used. The arrangement is functional and step-wise, the explanations clear, with a sufficiency of illustrations and photographs. Little attention is paid to the more exotic equipment that appears in professional workshops. This is a book for the hand-craftsman, not someone intent on starting a business.

I confess that I did not by the book with the intent of making a guitar. Instead, I was on the verge of having one made for me, and I wanted to understand the process enough to talk intelligently with the makers (in my case, the luthier, the tuning machine maker, and the inlayer). As such, this book bridged an important gap.

What is missing from the book is any detailed discussion about material choice and the effect of certain design decisions (materials, bracing, etc.). Since these are the things that can make the difference between an OK instrument and a work of the luthier's art, I would have liked to see much more information. For that, unfortunately, one must seek elsewhere. But for everything else, this volume will do.

36 of 38 people found the following review helpful:

5.0 out of 5 stars A must-have for acoustic guitar builders, July 10, 2001

By	David A. Cory (South Bend, IN USA) - See all my reviews (REAL NAME)

I had the good fortune to build my first guitar as a student in William Cumpiano's shop. I am using the book to guide me through my second guitar project. The book is an ideal mixture of theory, history, and detailed, step-by-step instruction. Be sure to check William Cumpiano's web site for an improved method of attaching the neck he developed since the book was written.