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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Great example of the "mystical" style of Hispanic writing., August 2, 1999
By A Customer
Hispanic writing today seems to fall within three distinct categories, i.e., contemporary fiction (mostly urban in context), historical fiction and mystical fiction. With "Spirits of the Ordinary" Kathleen Alcala has supplied us with an excellent example of the mystical genre which is, insofar as I can assess, by far the most difficult and interesting format to work with and master.Set in the late 19th century, the book essentially is the story of one man-born a Jew, married into a large Catholic family, so estranged from both he lives essentially alone prospecting for gold in the mountains of old Mexico-who eventually becomes the equivalent of a shaman to and for the indiginious Indian communities in Northern Mexico/Southern New Mexico. Alcala hits the righ tone by introducing her mysticim indirectly and in a low key--the requisite angels, spirits and revelations are present, but are a complement to rather than the focus of the basic story. The book exhibits flaws common to the debut novel--sometimes disjointed, major characters a bit too out of focus, minor characters given too much play, etc., but the genuiness of the story, the aura of mysticims established, the overll quality of the writing and the extraordinary bredth of the core characters more than compensate for these weaknesses. Overall, this was one of the best novels I'e read this year and I highly recommend it.
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4 of 4 people found the following review helpful:
3.0 out of 5 stars
Good (but not great) First Novel, January 29, 2007
In her first novel Alcala writes the story of Zacharias, a Mexican Jew who, in the late 19th century, leaves Mexico to pursue his dreams of finding gold in North America. He leaves behind his wife and children and his Jewish parents. His wife, tired of him spending her father's money on his prospecting expeditions, does the unthinkable and has herself declared financially independent of her husband. His father, a scholar who cannot understand his son's wanderlust, studies Kabbalah with the hope of understanding where his son went, both figuratively and literally.
On its dust jacket, the novel is described in terms of other authors of epic and mystic Hispanic fiction (Gabriel Garcia Marquez and Jose Luis Borges), which is why I chose to read it.
Alcala does a beautiful job of giving the novel a sense of place in both Old Mexico and New Mexico. Her characters are engaging and complex. Her writing style is, indeed, reminiscent of more established (indeed legendary) Hispanic authors. Perhaps this is why I was so disappointed in the novel itself. For the first two-thirds or so, the novel progresses wonderfully and draws you into the lives of these remarkable characters. It's in the last third that, for me, it all falls apart. The end of the novel wraps up too quickly compared to the pace established at the beginning with many of the characters' stories being finished unsatisfactorily, or not at all (some characters simply are not mentioned again.
I have just read that this is the first novel of a trilogy, so perhaps the next two will pick up the threads of some of the missing characters' lives. Unfortunately, when I initially read the book I don't remember any indication that it was one of three so I was expecting it to stand on its own and it didn't quite do that. So, while I thought it was a good book, I was disappointed because I was expecting a great book. I'm still undecided as to whether or not to read the second book in the trilogy when/if it is available.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
A shining star on the magical realism bandwagon, September 4, 2009
Clearly the best of the three books in the series, Spirits of the Ordinary courageously introduces the reader of Mexican-American literature to the hidden Jewish component to the southwestern culture. Many practicing Catholics of the area continue to have clearly Jewish customs. They go back to the Conversos of the time of the Inquisition, and whose ancestors came to North America with the early settlers. The combination of the general magical realism genre--mixed with the Jewish element of mysticism along with a wonderful tale--makes for excellent reading. Alcala is a master storyteller, and her characters are placed in a variety of landscapes from a small back yard garden to the vast wilderness of the Mexican hills. There is a lot of Garcia-Marquez and Rudolfo Anaya wannabes, but Alcala rises above the copycats to blend the local literary scene with creative gusto. A wonderful book, which I have enjoyed more than once.
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