Amazon.com Review
When
Bob Zeller was 12 years old, his grandmother took him to an antiques show. One of the vendors was selling old copies of Baltimore's
Sun newspaper dating from the Civil War. Though it cost him two weeks' worth of allowance, he couldn't resist buying it. He was hooked. "The wonder of holding an actual relic has never faded."
Zeller shares that feeling of wonder in The Civil War Collection--a treasure chest of meticulously detailed facsimiles of documents relating to the Civil War. Inside the handsome box you'll find 24 realistic gems, including a Confederate recruiting flyer ("the foot of the ruthless invader is upon her soil, and his conduct is characterized by barbarities and atrocities disgraceful to civilization"); stereoscopic photographs and viewer with 3-D images from the war; a Confederate $100 bill and a Mississippi "cotton-pledged" $1 note; a pardon signed by President Lincoln and a copy of the Amnesty Oath signed by Robert E. Lee; and a heart-rending, bloodstained letter from a dying soldier to his father:
I have been struck by a piece of shell and my right shoulder is horribly mangled & I know death is inevitable. I am very weak but I write to you because I know you would be delighted to read a word from your dying son. I know death is near, that I will die far from home and friends of my early youth but I have friends here too who are kind to me.
This collection isn't aimed at the Civil War novice (for that, check out the similarly interactive
The Civil War: Unstilled Voices), though a helpful guide does help put the documents in context. Civil War buffs will be entranced.
--Sunny Delaney
From Publishers Weekly
These two releases build on journalist Zeller's first In Depth, which three years ago collected similar reproductions of Civil War ephemera. Since then, many more small archive holders have come forward, and the raison d'?tre of this second In Depth book of stereograms (glasses included), photos and period documents is to organize and bring them to lightAundoubtedly with the huge Civil War-buff market in mind. Houstonian Jean Stanford's unparalleled private collection of stereoviews makes up the core of the book, providing some wonderfully dramatic battle-aftermath shots, as well as fascinating everyday looks at telegraph operators, spies and Port Hudson, La., "the last rebel stronghold." The book is carefully and compellingly laid out, the captions inform of scene and date, but analysis is not a focus. The Collection is a stand-alone set of period reproductions, including the 1863 color "almanac" (or catalogue) of clothing manufacturer Charles Stokes & Co., a contractual "Slave Policy," a pamphlet calling bearers "TO ARMS! TO ARMS!!" money, maps, daguerreotypes, advertisements and other period objects. (All are catalogued and briefly explained in a short accompanying text by Zeller.) The quality of the reproductions is generally good, if less than crisp, and the selection of materials effectively delineates the kinds of printed matter that circulated in mid-century torrents. As the war and culture surrounding it continue to be exhaustively mined by historians and buffs, such projects are the next logical step in getting the material to people in a form as near to the originals as possible, and the closest thing (short of reenactment) to having been there. (Sept.)
Copyright 2000 Reed Business Information, Inc.