From Publishers Weekly
Beginning with the sunflowers on the Netherlands' 50-gulden note (Standish loves them) and ending with the redesigned American fives, tens and twenties (hates them), Standish's handsome, offbeat and color reproduction-stuffed volume displays and describes the world's various paper moneys. Standish, a journalist and former Playboy articles editor, sometimes looks at currency design as a matter of pure aestheticsDwhat colors, where? What kinds of lines, and why? But he also shows how "countries project their self-image through their money," recording their history and deciding what they want their visitors to see. He includes the "tough guys"Dmythic rebels and pre-Columbian godsDon much Latin American dinero; the engraved airplanes on Singapore's money, which promote its national airline; and the countenance of Queen Elizabeth, which graces more nationalities' cash than any other phiz. A "Short History of Money" explains, and depicts, the evolution of coinage and then of bills in Greece, Rome and medieval China, whose reliance on bills gave it, in the 10th century, "the world's first hyperinflation." A final chapter surveys American money, which at various points depicted Washington crossing the Delaware, Ben Franklin with a kite, and "Pocahontas getting baptized." The careful photography of Tony Armour and Joshua Dunn and an unusually fine job of productionDcrisp, fine-grained paper and true-to-bill colorsDreproduce the experience of handling all this exotic cash. (Nov.)
Copyright 2000 Reed Business Information, Inc.
From Booklist
Most folks don't pay much heed to the artistic aspects of paper money, perhaps, Standish hazards, because U.S. currency tends to be, well, "dull-looking." When he, an experienced traveler and currency changer, "calmed down enough to begin looking carefully" at other countries' currency, he discovered that it was "flat-out gorgeous." Starting with the Netherlands' strikingly attractive 50-guilden note, Standish assesses the artistic merits and imparts brief histories of many of those other peoples' moneys. The bills' colorful illustrations and inspired page layout make the book uncommonly enjoyable. The chapter on U.S. currency at the end of the book underscores the earlier observation that it isn't as attractive as those of other nations but also demonstrates that it used to be much more artful and colorful--and the old notes lacked the urgent, bug-eyed asymmetry of the newest U.S. bills. A book so entertaining and so informative that many libraries should consider purchasing circulating and reference copies, the latter to be kept in mint condition, of course.
Mike TribbyCopyright © American Library Association. All rights reserved
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