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Editorial Reviews
Amazon.com
A scholar of fairy tales, Maria Tatar, provides a fascinating introduction about the history and meaning of the stories assembled by the Brothers Grimm. She writes, for example, "We now know that the stories collected in the nineteenth-century folktale anthologies ...had their origins in an irreverent peasant culture that arose in conscious opposition to the feudal state's ruling class. By overdoing it in the realm of storytelling, these narrators were able to alleviate--if only temporarily--some of the tedium that marked the daily life of their audience ... [These tales] can be seen as the ancestors of our urban legends about vanishing hitchhikers and cats accidentally caught in the dryer or as the preliterate equivalents of tabloid tales describing headless bodies found in topless bars. But in many ways, it is the horror film to which the matter and manner of these folktales has most conspicuously migrated. Like horror films, folktales trade in the sensational--breaking taboos and enacting the forbidden with uninhibited energy."
A scholar of fairy tales, Maria Tatar, provides a fascinating introduction about the history and meaning of the stories assembled by the Brothers Grimm. She writes, for example, "We now know that the stories collected in the nineteenth-century folktale anthologies ...had their origins in an irreverent peasant culture that arose in conscious opposition to the feudal state's ruling class. By overdoing it in the realm of storytelling, these narrators were able to alleviate--if only temporarily--some of the tedium that marked the daily life of their audience ... [These tales] can be seen as the ancestors of our urban legends about vanishing hitchhikers and cats accidentally caught in the dryer or as the preliterate equivalents of tabloid tales describing headless bodies found in topless bars. But in many ways, it is the horror film to which the matter and manner of these folktales has most conspicuously migrated. Like horror films, folktales trade in the sensational--breaking taboos and enacting the forbidden with uninhibited energy."
The text of the 19 tales in this collection is based on the 1822 edition of Kinder- und Hausmärchen (Nursery and Household Tales) by Jacob and Wilhelm Grimm--before the tales were expurgated and rewritten to make them more "suitable" for children. It's bound in a handsome faux-antique format, and lavishly illustrated by Tracy Arah Dockray (15 full-page color paintings, and a black-and-white drawing on nearly every page). Most of the tales will be unfamiliar to American and English readers, who may be surprised by the graphic descriptions of incest, murder, mutilation, and cannibalism. Chronicle Books has done us a service in helping restore to our adult culture these vivid, evocative folktales. --Fiona Webster
--This text refers to an out of print or unavailable edition of this title.
Product Description
Murder, kidnapping, cruel and unusual punishment, violent revenge these are not the bedtime stories mummy used to read. Newly reissued with a fresh cover, Grimm's Grimmest presents nineteen original, unsanitized, wholly unholy tales as they were first collected by the Brothers Grimm circa 1822 all fiendishly illustrated. The tales harken back to a time when travelers risked roasting or worse, and bad manners yielded frightful consequences. An insightful introduction makes sense of the mayhem, shedding light on how the Grimm brothers went from macabre to mainstream in fairly short order. From the true horror of Aschenputtel (the original Cinderella story) to Rapunzel's dark secret, Grimm's Grimmest features the authentic stories born long ago in the land of the Black Forest, at a time when fairy tales never ended happily ever after.
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