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Book two in the Anasazi Mysteries series,
The Summoning God is the sequel to
The Visitant, in which archaeologist-authors Kathleen O'Neal Gear and W. Michael Gear introduced readers to murder, mayhem, and the myriad details of life in a 13th-century Native American pueblo. In both novels, the narrative arcs between the present and the past, drawing aside the seemingly thin veil of time that separates them. Here, as archaeologists Dusty Stewart and Maureen Cole sift through an ancient Anasazi kiva, attempting to understand the circumstances that could have led to the presence of 33 charred children's bodies in the ceremonial chamber, we also see the members of the pueblo as they move toward the terrible destruction so carefully unearthed by Stewart and Cole. This narrative device isn't revolutionary, but it
is clever: the demands of classic mystery plotting (we have a corpse, but who committed the crime?) are fulfilled, while the reader lives simultaneously in the worlds of evidence creation and deduction.
The Anasazi characters will be familiar to readers of The Visitant: warriors Browser and Catkin, holy men Springbank and Stone Ghost, and the witch Two Hearts continue to move silently through the sand and sagebrush, circling through a world marked by warring religions and vanishing resources. When Browser and Catkin find a mutilated old woman surrounded by the skulls of her clan, they must summon all their courage to combat what surely must be witchcraft--or is it? Although the narrative founders at times in a sea of murkily presented myth, the characters are vibrantly drawn (though to watch an Anasazi holy man conduct an autopsy in a manner that would do Kay Scarpetta proud is one of several discordant anachronisms).
The Summoning God, like its predecessor, renders the lives and habits of the Anasazi in compelling detail: we learn that they used blazing star petals for perfume and that their ceremonial purification rites included cornmeal and ground seashells. Though the tenacity with which the authors seek to hammer home a situational equivalency between modern life and the 13th century is sometimes painfully heavy-handed, the evocation of daily life never is. Readers might wish to acknowledge that overutilization of resources, a thirst for territory, and a propensity toward holy wars are indeed threads that bind us to the Anasazi--then ignore the lectures and settle into the story. --Kelly Flynn
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
This memorable novel of the vanished Anasazi, the second in the series (following The Visitant), provides sober ecological lessons for our own civilization. The Gears, who are also collaborators on the First North Americans series, tell the brutal story of one 13th-century tribe, the Katsinas' People, as they tumble down the path that leads to the sudden disappearance of the Anasazi. In parallel, the authors also tell the tale of a team of contemporary archeologists and anthropologists excavating the ancient site that bears witness to the Anasazi tragedy. The earlier-set narrative follows the fortunes of the Katsinas' People, led by Matron Flame Carrier and War Chief Browser. The tribe is already reeling from the effects of enemy attacks and attrition on the many small pueblos that dot northwestern New Mexico. While the external threat is bad enough, Flame Carrier and Browser must also contend with a serial murderer within the tribe. In the present, archeologist Dusty Stewart and anthropologist Maureen Cole each have their own intimate links to this past. As they excavate, those links and the fate of the puebloans become clearer. Their new novel is not for the squeamish, but the Gears offer unusual insight into Anasazi culture and history, while in an afterword, they suggest that it may already be too late for us to escape a fate similar to that of the Anasazi. An extensive bibliography bolsters their argument. (July)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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