From Publishers Weekly
Better known for his science fiction, including collaborations with Larry Niven and Jerry Pournelle, Barnes (Firedance) here turns to dark fantasy with a story of occultism and race relations that ranges from the days of slavery to the present. Paranormal phenomena, including spontaneous human combustion, and the machinations of some human conspiracy beset the families of two men: Derek Waites, a black programmer of computer games, and Austin Tucker, a former Green beret major who's turned into a white supremacist. Waites investigates, first alone and then with Tucker, discovering that for centuries an African sorcerer and his former slavemaster have been prolonging their lives by preying on others. The magic is well handled, but Barnes often smothers his writing in testosterone, repeatedly referring to Tucker's physical strength and his "corded" muscles as if he thought his readers habitually perused the backs of old comic books for muscle-building tips. Better, however, is Barnes's view of racial issues, including a moving journal by a slave matriarch named Dahlia. Although some connections and plot resolutions are forced, the novel ultimately delivers as an exploration (albeit a turgid one) of the temptations and costs of power-both to those who have it and those who are sacrificed to it.
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
Barnes' sound and absorbing fantasy deals with that classic devil's bargain, achieving immortality by absorbing the life force of others, including one's own children. Three centuries ago, a southerner bought an African slave who knew the right magic, and for two centuries they survived by breeding children for slaughter. After the Civil War, however, the children were scattered. In contemporary Los Angeles, a black computer-game designer and a white racist ex-Green Beret both mysteriously lose children, learn that each of them is descended from the life stealers, and have to fight their own prejudices before they can fight the sorcery. Barnes' historical scenes are stronger than his contemporary ones, in which he sometimes overdoes the gritty realism, but no doubt about it, the book is a page-turner that may fall short of genius but is always intelligent entertainment.
Roland Green
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