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Dvorak in America: In Search of the New World
 
 
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Dvorak in America: In Search of the New World (Hardcover)

by Joseph Horowitz (Author) "The sun was setting on the Atlantic Ocean..." (more)
Key Phrases: plantation song, new symphony, slave songs, New York, New World, National Conservatory (more...)
5.0 out of 5 stars See all reviews (2 customer reviews)

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Dvorak in America: In Search of the New World + New Worlds of Dvorak: Searching in America for the Composer's Inner Life + Dvorak (Life&Times)
Price For All Three: $60.90

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Editorial Reviews

From School Library Journal
Grade 6 Up-This is an engaging account of the years the Bohemian composer spent in the U.S. during the early 1890s, teaching at the National Conservatory of Music in New York City and composing his New World symphony and shorter works. The development of Dvor k's controversial views-that a truly distinct American music would be based on African-American spirituals and "plantation songs," and on Native American music-is discussed in detail, as is the attitude of adherents to the Germanic school of classical music toward what they considered his peasant sensibilities. In an afterword, Horowitz, likening his book to a conductor's interpretation of a piece of music, states that some of the incidents are his inventions or re-creations, and that "the words I have put in [Dvor k's] mouth" are based on other writings about the composer. The fictionalized incidents, feelings, thoughts, and dialogue give the book a friendlier, more intimate tone than a more conventional biography might evoke. The 30 sometimes-dark period photographs include city scenes and portraits. Many of the primary sources on which Horowitz's research was based can be found on a DVD, From the New World: A Celebrated Composer's American Odyssey, created by Robert Winter and Peter Bogdanoff in tandem with this title. A welcome addition to music and biography collections.
Ginny Gustin, Sonoma County Library System, Santa Rosa, CA
Copyright 2003 Reed Business Information, Inc.

From Booklist
Gr. 6-12. When Bohemian composer Antonin Dvorak emigrated from Prague to the U.S. in the 1890s, Americans immediately embraced him for being what they idolized most: a self-made man. Horowitz, a leading writer on American music, focuses on Dvorak's American stay. His text doesn't always read very smoothly, but the letters to and from family members and lots of interesting photographs help speed the pace of what is a thorough slice of immigrant life. Most fascinating is the account of the development of Dvorak's great New World symphony: when the composer heard one of his assistants sing slave songs, he realized that American classical music should come from the melodies and rhythms of all its people. In a long final note on sources, Horowitz describes his extensive research and acknowledges where he has imagined scenes and conversations. Roger Leslie
Copyright © American Library Association. All rights reserved

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Product Details

  • Reading level: Young Adult
  • Hardcover: 160 pages
  • Publisher: Cricket Books/Marcato; 1st edition (March 2003)
  • Language: English
  • ISBN-10: 0812626818
  • ISBN-13: 978-0812626810
  • Product Dimensions: 8.1 x 6.2 x 0.7 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #346,253 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #2 in  Books > Entertainment > Music > Musical Genres > Classical > Composers > Dvorak, Antonin
    #30 in  Books > Children's Books > Arts & Music > Music > Classical
    #72 in  Books > Children's Books > People & Places > Biographies > Musical

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5 of 6 people found the following review helpful:
5.0 out of 5 stars A Brilliant Book for Young Readers!, June 18, 2003
By Michael Beckerman (New York, NY United States) - See all my reviews
(REAL NAME)   
Joseph Horowitz loves the late 19th and early 20th world of culture. He is simultaneously scholar and activist. His bold, unprecendented project is to take historical moments and richly employ them to introduce the excitement of classical music to young readers. He could have no better scenario than Dvorak in the New World. Here the composer seeks to create an American musical language based on a synthesis of the high symphonic style with elements of Black and Indian music. The characters are vividly drawn and the whole is both beautifully written and wonderfully gauged for young readers. A real treat!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars The Best Choice, Though Not An Easy One, December 26, 2008
I see that Mr. Beckerman has submitted a positive review, which is very gracious, considering that his book is the leading competitor on this subject. I purchased both "Dvorak in America" and "New Worlds of Dvorak," and (sorry, Mr. Beckerman) my vote is solidly for "Dvorak in America."

"Dvorak in America" is a simple, informative book with very little conjecture. Horowitz is clear in the opening pages that this is a book accessible to teenage readers, and he gets the story right in a concise and interesting way. His scholarly efforts are persuasive and he successfully merges divergent details to create a fascinating account of Dvorak's journey toward the first truly "American" symphony.

On the other hand, Beckerman's book shares much of the same research and even comes with a CD of excerpts, but the positives end there. Beckerman is bent on interpreting every phrase of the New World Symphony and resorts to conjecture, even delving into other writers' conjecture. It soon becomes a tangled mess in which the hard facts are no longer recognizable.

The truth is (sadly) simple: We don't really know much about Dvorak's intentions in the New World Symphony. He shared just enough to give the piece "American" credentials, then promptly shut up to avoid tagging it as a programmatic tone poem. And that's just the way we should enjoy it! We're supposed to accept the American inspiration while giving the notes themselves a fair chance to speak to us, and speak to us they do! If I had overlooked this piece before (mostly because of its overwhelming popularity), I now find it an inspiration and a joy--with greater thanks to Mr. Horowitz than Mr. Beckerman.

Read this wonderful little book and move quickly to the music itself. A singe phrase of this music says more than any scholarly volume.
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