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12 of 12 people found the following review helpful:
5.0 out of 5 stars
Fantastic, simply. (No, really.), February 20, 2006
I've (nearly) finished "Love and..." and while that may lead you to think I'm summarily unqualified to up and "review" the book, having not even completed it, I'd say that it's the journey that counts and not so much the destination and the journey insofar has been absolutely brilliant.
Keeping true to Mil Millington's own personal sense of utter irreverence, skittishness and vaguely esoteric mile-long jokes, Love expresses itself as wholly unique, smart and well executed.
The main character is a bit of a nutcase, but that's fantastic. He agonizes over every smallish decision, from which pen to use to (I'd assume) how many sheets of toilet paper to soil, worried that one course of action over the next might cause him to get hit by a bus. Nevermind the inherent problem with someone who thinks so cyclically as this, (what if he were to be "bussed" while agonizing over such a decision, et cetera) he proceeds on a "quest" to find himself, and straighten himself out since a near-death experience that should have had him killed spared him after a seemingly simple, mindless choice earlier in the day.
The mere fact that Mil isn't writing just another "Things My Girlfriend..." or even another "A Certain Chemistry" shows his versatility, and perhaps his openness to merely career-crushing, devastatingly short-sighted risk. It also allows his true talent to pour out.
Think: If this were another 300 pages of things he's argued about, perhaps set in a slightly different setting, with a slightly longer-haired Ursula redux, how tiresome that would be. That was a great strength of Chemistry, but it's just so refreshing that he completely reinvents his storylines so that they somehow manage to incorporate his brilliant sense of humor while simultaneously doing almost nothing to remind you of his earlier pieces.
I absolutely love this novel, and I'm glad Mil has decided to allow us the privilege of another look inside his bizarrely organized mind. Pick this up, for yourself or as a gift, to anyone who might enjoy a bit of "off-his-rocker" comedy that's smart (and sometimes a bit erudite) and perfect all around.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Hilarious, but Slightly Slight, June 29, 2006
I absolutely loved Millington's first two novels, and I have to say this is a bit of a step down in quality. The razzle-dazzle writing, featuring snappy one-liners and hilarious repartee is all there, however, the framework just isn't quite as good and is unfortunately coincidentally similar to Nick Hornby's last book, A Long Way Down. The protagonist is Rob Garland (a name also a little too close to High Fidelity's Rob Fleming), a 30ish late night jazz DJ who's having problems getting psyched up about his impending wedding (elements which also bring to mind High Fidelity's Rob). It seems that two months ago, he cheated death by being late to an appointment in a building where an accident killed all inside. Since then he falls into paralyzing bouts of indecision, based on the premise that one's life can turn on the most inconsequential of acts.
When his fiancee sits him down and tells him he must cure himself before they get married, he takes the plunge and goes on an quest to sort himself out (again, rather like High Fidelity's Rob). This rather aimless quest involves him teaming up with others who have cheated death. First he meets a young American soldier who wasn't blown up with some buddies in Bosnia, and now appoints himself Rob's facilitator. Next is an the world's most acerbic woman, a suicidaly depressed English teacher in her late 40s who stepped out to get smokes while her Bulgarian hotel burned down in the middle of the night. Finally, there is a beautiful Welsh Wiccan woman who warns Rob about an evangelical Christian sect who is targeting those who've undone God's will by cheating death. The dynamics of this quartet of exceedingly different people is unfortunately similar to A Long Way Down, although Millington writes in a much more laugh-out-loud-funny style.
The story rattles along at an increasingly frantic pace, which helps to disguise the relative thinness of it, and gags and humor are about all that holds it together. Millington does snappy dialogue and nasty humor better than just about anyone, and it's here in spades. Every character (aside from the American of course) oozes killer comebacks and hilarious one-liners. There are also some of the funniest -- though not explicit -- sex scenes I've read. As in Millington's previous two books, there's a kind of melancholy romantic spirit underlying the entire enterprise which makes it somewhat sweet and hard not to like.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
An Exercise in Absurdity, June 29, 2008
I came across Mil Millington through the praise lauded on him by author Christopher Moore on his personal website. Like Moore, Millington does what few writers are able to do; put humor into literature. Though lesser known because he is from across the pond, Millington has the potential to find an audience in the States.
The story finds Rob Garland, an indecisive 31 year old man, living with the reality of a near death experience. Fronting the graveyard shift of a jazz radio show, Rob spills his emotions on the air one night. This unites a cast of crazies that have shared similar experiences to Rob's experience on a quest without direction. Battling seemingly irrational bodily desires, the dreaded "fundos", and reconciling a mundane relationship, while mocking a sizable portion of the landscape of English literature, Millington's wit has a sharp point that rarely misses the mark on the first stab. But seeming to know he may have some misses, many quirks are replayed overexposing the joke.
I feel the need to give a word of caution to non-British readers. Millington is decidedly English in his writing. Thus, many Americans may not know what he is talking about or calling certain people. I do not suspect this would keep American readers from enjoying the book, but the internet provides word translation sites at no cost.
Most readers will see the twists in the plot coming before they happen. Yet if you purchase this book, it is unlikely you are hoping to be dazzled by the plot. To be blunt, the book is funny. It does not measure up to the work of Christopher Moore, but that is a difficult standard to meet. But in a niche of the industry where there is room for diversity and new talent, Mil Millington has made a name for himself.
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