- This title is eligible for Amazon Fall Textbook promotions. Get unlimited free Two-Day Shipping for three months with a free trial of Amazon Prime. Add $100 worth of eligible textbooks to your cart to qualify. Sign up at checkout. New members only. Here's how (restrictions apply)
- Save $5 when you spend $25 and pay with Bill Me LaterŪ. Offer valid Sept 1, 2008 - Sept 30, 2008. Offer limited to items sold by Amazon.com. Subject to credit approval. One per customer. Enter code BMLSAVES at checkout. Here's how (restrictions apply)
Join Amazon Prime and ship Two-Day for free and Overnight for $3.99. Already a member? Sign in.
Special Offers and Product Promotions
Frequently Bought Together
Customers Who Bought This Item Also Bought
Scenes from the City: Filmmaking in New York by James Sanders  (8)
|
City That Never Sleeps: New York and the Filmic Imagination by Murray Pomerance
$24.95
|
In the Blink of an Eye Revised 2nd Edition by Walter Murch (39)
$11.16
|
Woody Allen: Interviews (Conversations With Filmmakers Series) by Robert E. Kapsis
$17.60
|
Times Square Red, Times Square Blue by Samuel Delany (6)
$17.10
|
Editorial Reviews
Book Description
New York has appeared in more movies than Michael Caine, and as a result of overfamiliarity, the City poses a problem for critics and casual moviegoers alike. Audiences mistake the New York image of skyscrapers and glitter for the real thing, but in fact the City is a network of small villages, each with its unique personality. Street Smart offers a novel approach to understanding the cultural influences of New York’s neighborhoods on the work of four quintessentially New York filmmakers: Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee. The city’s diverse economic and ethnic enclaves, where people live, work, shop, worship, bank, and go to school, often have little relationship to the concept of New York City created by the movies. Their New York, however, is as real as the smell of fried onions in the stairwell of an apartment building, and it is this New York, not the movie New York, that has left its impression on their films. Lumet, Allen, Scorsese, and Lee’s imaginations have been shaped by their neighborhoods, not the New York of the movies. In turn, these directors have used their own life experiences to shape their films. Richard A. Blake examines their home villages—from Flatbush and Fort Green in Brooklyn to the Lower East Side of Manhattan—to enrich our critical understanding of the films of four of America’s most accomplished contemporary filmmakers.
About the Author
Richard A. Blake, S.J., codirector of the Film Studies Program at Boston College, has served as an editor of America magazine for fourteen years, where he has been reviewing films for the past thirty years.
New York has appeared in more movies than Michael Caine, and as a result of overfamiliarity, the City poses a problem for critics and casual moviegoers alike. Audiences mistake the New York image of skyscrapers and glitter for the real thing, but in fact the City is a network of small villages, each with its unique personality. Street Smart offers a novel approach to understanding the cultural influences of New York’s neighborhoods on the work of four quintessentially New York filmmakers: Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee. The city’s diverse economic and ethnic enclaves, where people live, work, shop, worship, bank, and go to school, often have little relationship to the concept of New York City created by the movies. Their New York, however, is as real as the smell of fried onions in the stairwell of an apartment building, and it is this New York, not the movie New York, that has left its impression on their films. Lumet, Allen, Scorsese, and Lee’s imaginations have been shaped by their neighborhoods, not the New York of the movies. In turn, these directors have used their own life experiences to shape their films. Richard A. Blake examines their home villages—from Flatbush and Fort Green in Brooklyn to the Lower East Side of Manhattan—to enrich our critical understanding of the films of four of America’s most accomplished contemporary filmmakers.
About the Author
Richard A. Blake, S.J., codirector of the Film Studies Program at Boston College, has served as an editor of America magazine for fourteen years, where he has been reviewing films for the past thirty years.
Product Details
Would you like to update product info or give feedback on images?
|