From School Library Journal
Grade 6-9-- Almost every page in these two volumes includes at least one vivid full-color fashion drawing or photograph (sometimes color, sometimes black-and-white, others in tinted half-tones), and often there is more illustration than narrative. The different pictorial formats place the fashions in the context of the era (historical settings such as Woodstock and GIs in Vietnam) or allow them to be viewed in detail. No important trends are ignored: Twiggy, Dior, the hippies and the mini, ripped jeans, Lagerfeld, Lauren, and Armani are but a few of the designers and fads represented. There is just enough text to create a sense of the events that influenced people, and to show how those events tied into trends. These titles are not for serious students of fashion, but will be fun for browsers and those interested in an introduction to the concept of clothing design in the context of contemporary events. Lila Perl's From Top Hats to Baseball Caps, from Bustles to Blue Jeans: Why We Dress the Way We Do (Clarion, 1990) also tackles this subject. In addition , The History of 20th Century Fashion (Barnes & Noble, 1986) by Elizabeth Ewing and Fashion: The Mirror of History (Crown, 1982; o.p.) by Michael and Ariane Batterberry give similar information in a more thorough presentation. --Janet E. Gelfand, Lawrence Junior High School, NY
Copyright 1991 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
Although this is part of the Fashions of a Decade series, there is almost as much here about the decade as there is about the fashion. The excellent photographs and illustrations, many from ads and magazines of the era, emphasize what was being shown by designers and worn by everyday women, but the text also discusses what was going on in the world: the cold war, segregation, the Cuban Revolution, and the role of women in society. There is also a good deal of information about the new miracle fabrics, such as rayon, that were taking over the fashion industry. Men's fashions are not neglected, with a discussion of both business wear ("The man in the gray flannel suit") and leisure wear. There is also an emphasis on the different ways that Hollywood influenced what a woman wore and how women were seemingly divided between girls next door and sirens. Organization is weak, but this will still work for report writers or browsers. Chronology and glossary appended.
Ilene CooperCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.
See all Editorial Reviews