Problems of Dostoevsky's Poetics (Theory & History of Literature) (Paperback)

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Key Phrases: ancient menippea, parodistic discourse, new authorial position, The Double, The Brothers Karamazov, Nastasya Filippovna (more...)

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Language Notes

Text: English, Russian (translation) --This text refers to an out of print or unavailable edition of this title.

Product Details

• Paperback: 333 pages
• Publisher: University of Minnesota Press (April 1984)
• Language: English
• ISBN-10: 0816612285
• ISBN-13: 978-0816612284
• Product Dimensions: 8.7 x 5.9 x 0.9 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon.com Sales Rank: #189,184 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

27 of 27 people found the following review helpful:

5.0 out of 5 stars Intense Revelations, July 23, 2001

By	Eric Anderson (London, United Kingdom) - See all my reviews (REAL NAME)

Bakhtin's critique of Dostoevsky's work has revealed so much more to me about the form of this great author's novels than I would have ever been able to understand for myself. What makes Bakhtin such a masterful theorist is his methodical approach to understanding an author's work discussing the historical influence of form and the critical misinterpretations that have preceded the work. He is so attentive to levels of narration that he is able to identify voices in relation to the author and the other characters. This helps to clarify the structure of the narrative and the many ways we can interpret it. Many people have marvelled at the brilliance of Doestoevsky's work but haven't been able to put their finger on why it is so great. Bahktin not only names the reason, but also gives an incredible amount of thorough evidence as to why this is so in a comprehensible way. The technical theory is easy to understand as he is very careful to define his terms and the reasons he uses them. His survey of the development of literary forms, particularly the carnavelesque is informed and inspiring, but be careful as it is slightly idealistic and, though perfectly relevant, you feel that he is assimilating it a little too easy to his critique of Doestoevsky. The narrative techniques he identifies are not only useful in understanding Doestoevskys work but are incredibly useful in thinking about current authors. This is a very important piece of critical work I have come back to again and again.

22 of 24 people found the following review helpful:

5.0 out of 5 stars A master novelist's work explored by master critic, June 17, 1997

By A Customer

This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple definition; the book in exploring manifold aspects of it, itself becomes truly dialogic. If you value Dostoyevsky as an artist, require an antidote to the chill winds of modern 'Theory', or simply appreciate genius at work, catch up with one of the best kept secrets in literature

14 of 19 people found the following review helpful:

5.0 out of 5 stars A defense of the open text, June 28, 2002

By	Julio Peiró Sempere (Alicante, Spain (Europe)) - See all my reviews

Bakhtin's "Problems of Dostoevsky's Poetics" remains an essential critical writing to understand the complex and eclectic critical imagery of Bakhtin. The plurality of consciousness within a novel (polyphony) together with the idea of simultaneity in the relationships among characters confine to this work an extremely contemporary view of what literary creation is like or must be conceived of.
Bakhtin's defense of the independency of the hero from the author stands not only as a strong critique to those critical trends which regard biographical information as the only source to fully capture the essence of a literary work, but also it enables a new kind of open criticism which embraces the role of the reader in the process of authoring a text, that is, providing the text with a meaning. Bakhtin's interest on physiology to capture the real insight of human perception and, hence, of human understanding of a literary work is, in my opinion, a great advance for the reader to become an undisputed element in the literary chain formed by the author, the text and the reader.
Bakhtin's work has rapidly become a cornerstone in the current flow of literary criticism and his "Problems of Dostoevsky's Poetics" stands as one of his finest achievements.