Review
"Dr. Reid's book is structured as a quintessential poetry/literature course textbook, which is destined to become a standard." -- Johari Amini, Poet, Teacher
"I thoroughly enjoyed reading this insightful and skillfully woven study..." Carolyn Rodgers, Poet, Teacher -- Carolyn Rodgers, Poet, Teacher
"Reid offers a vision of Black literature that is vital to our understanding of the Black Arts Movement..." -- Sonia Sanchez, Poet, Essayist, Teacher, Activist
Product Description
Black poets of the Harlem Renaissance (1920-1929) relied heavily upon traditional rhetorical devices, specifically irony and paradox. In contrast, their counterparts of the sixties adopted a more radical approach, employing instead street idiom and other modes of Black discourse. While the poets' strategies of the two periods differ, one element remained constant--the theme of protest. It is this similarity in purpose that marks the poetry of the Harlem Renaissance as a precursor of the revolutionary poetry of the sixties.








