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Editorial Reviews
Book Description
Produced over six visits to India, from 1947 through the early 80s, these dramatic images are shaped by an eye and mind legendary for their intelligent empathy and graphic honesty. Cartier-Bresson's pictures of refugee camps after the partition speak with the same passion as those of the Maharaja of Barodea's birthday celebration. This seminal artist's extraordinary gift of observation and his connections to the leaders of post-colonial India inform all these photographs, revealing the essence of a country that has long captured the world's imagination.
Language Notes
Text: English, French (translation) --This text refers to the Paperback edition.
Produced over six visits to India, from 1947 through the early 80s, these dramatic images are shaped by an eye and mind legendary for their intelligent empathy and graphic honesty. Cartier-Bresson's pictures of refugee camps after the partition speak with the same passion as those of the Maharaja of Barodea's birthday celebration. This seminal artist's extraordinary gift of observation and his connections to the leaders of post-colonial India inform all these photographs, revealing the essence of a country that has long captured the world's imagination.
Language Notes
Text: English, French (translation) --This text refers to the Paperback edition.
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Citations
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2
books
cite this book:
- Geomodernisms: Race, Modernism, Modernity by Laura Doyle on page 128, and Back Matter
- Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker by Andrew Robinson in Back Matter (1), and