Most Helpful Customer Reviews
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16 of 17 people found the following review helpful:
4.0 out of 5 stars
Inflammatory and fascinating, August 16, 2001
David Mamet's Oleanna was polarizing when it premiered on Broadway--audiences tended to sympathize with one character and hate the other.The experience of reading Oleanna rather than seeing it is a rewarding one. The play features two characters: John, a professor up for tenure, and Carol, his student. Each of these characters is in the midst of their own problems when we meet them in the first act--John is arguing with his wife and in the midst of buying a new house (as a celebration of his impending tenure), and Carol is desperately trying not to fail John's class. When the show opens, Carol has come to John to ask him not to fail her--unfortunately, John is on and off the phone with his realtor and his wife and barely pays attention to Carol. This is the setup from which the rest of the play unravels. Ultimately, Carol accuses John of sexual harassment--and, although it is easy to say that John never propositions Carol, the reader can see where Carol might have gotten that idea. John, in his haste to leave, says and does things that in retrospect (the second act) seem like mistakes. Each is a full and fascinating character--John stands on the brink of losing everything that has ever mattered to him, and Carol becomes an ardent feminist activist in the third act. To say more would be a spoiler. This play is a fascinating character study, examining academia, language, and the startling effect of bad communication. A brilliant and biting play.
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
Envy, Greed, and Political Correctness, April 15, 1999
By A Customer
I have seen three separate productions of David Mamet's controversial two-hander "Oleanna", and the audience has been driven into polarized frenzy each time. Mamet correctly assumes that the engines that drive contemporary society are envy and greed, and his corrosive attack on the verbal manipulations of political correctness is razor-sharp. Mamet's use of language is extraordinary and in this play -- for a change -- the characters are educated, white-collar academics, not filthy-mouthed lowlifes. Obscenity, however, takes many forms. Do yourself a favour: when you take this book home, READ IT ALOUD with someone else. You will discover that "Oleanna" is a passionate, provocative, and powerful piece of theatre.
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15 of 17 people found the following review helpful:
5.0 out of 5 stars
Oleana: The Loss of cordiality, January 29, 2000
By A Customer
I am not sure if David Mamet wrote "Oleana" in response to Anita Hill's accusations against Clarence Thomas, but, his insightful portrayal of how some feminist activists sometimes misuses men as a means to accomplish their agenda would be humorous were it not truly sad. Mamet critiques several relationships in this play including that of humans to humans. In the final analysis of the sexual harassment situation demonstrated in the play, Mamet illustrates how cruel humans can be to one another. Can there really be interest in and cordiality between men and women, student and professor? Does there alwyas have to be or assumed to be some sexual tension or inuendo going on? Or has the declining morals in society dictated that in age of uncertainity and suspicion, people must distance themselves from one another for fear that words, gestures, and intensions can be totally miscontrued and taken out context?
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