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Better Together
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Editorial Reviews
From Booklist
Klein's survey of the history of cigarettes and their gestalt of ritual, seduction, contemplation, and danger is fruitful and often surprising. For Native Americans, tobacco was a minor divinity, and smoke a prayer. For writers and artists, smoking has often been part of the creative process. The sharing of cigarettes has long been a gesture of courtship and sensuality, an expression of rebelliousness and bravado, and a balm for the terrors and tragedy of war and other intolerable circumstances. As Klein discusses the representation of cigarettes in literature and film, he also tracks various attitudes toward smoking. He believes the current zealous condemnation goes far beyond matters of health and drifts into issues of personal freedom. But he never denies the fact that smoking cigarettes is bad for you. Of course they're hazardous, that's why they're sublime: they combine pleasure with an "intimation of mortality." Donna Seaman
From Kirkus Reviews
Many people, deciding to quit smoking, go cold turkey; others use nicotine gum or a patch. Klein (French/Cornell), however, has taken a unique approach: the writing of this learned, elegant, and fanciful analysis of--and ``elegy'' for--the cigarette. Smokers smoke not just for the nicotine, contends Klein, but also--perhaps primarily--because cigarettes offer ``a darkly beautiful, inevitably painful pleasure that arises from some intimation of eternity.'' By granting access to this sublimity- -which the author says can transform even one's relationship to time (``cigarettes are fiery batons with which you can summon the future and conduct it'')--smoking becomes a symbolic act, a ``dance'' performed between the smoker, the cigarette, and the world; furthermore, it's only by knowing this dance in all its allure that a smoker can then forsake it. Klein examines smoking's symbolic powers through a wide range of cultural references, from Sartre to Mallarm‚, Bizet's Carmen, and Casablanca. Crucial to his argument is his analysis of the first chapter of Italo Svevo's 1923 novel, The Confessions of Zeno, in which the narrator recalls his life as a series of health-oriented resolutions to quit smoking- -each resolution followed always by another cigarette. It's only when, as an old man, he realizes that he's already healthy--i.e., alive--and that smoking is just one way of life, that he quits. In fact, holds Klein, it's not the dream of health that primarily drives America's current antismoking campaigns; rather, it's moralists' censorship of cigarettes' ``discursive performance,'' which hitherto has ``regularly been linked to strong currents of sexual and political freedom.'' Some might find all this just a smoke screen hiding addiction's raw grip--but, even so, it's a lovely one, full of delightful whirls of logic and puffs of insight; moreover, Klein claims that the writing of it has allowed him to quit, ``definitively.'' (Photographs--not seen) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
See all Editorial Reviews
Klein's survey of the history of cigarettes and their gestalt of ritual, seduction, contemplation, and danger is fruitful and often surprising. For Native Americans, tobacco was a minor divinity, and smoke a prayer. For writers and artists, smoking has often been part of the creative process. The sharing of cigarettes has long been a gesture of courtship and sensuality, an expression of rebelliousness and bravado, and a balm for the terrors and tragedy of war and other intolerable circumstances. As Klein discusses the representation of cigarettes in literature and film, he also tracks various attitudes toward smoking. He believes the current zealous condemnation goes far beyond matters of health and drifts into issues of personal freedom. But he never denies the fact that smoking cigarettes is bad for you. Of course they're hazardous, that's why they're sublime: they combine pleasure with an "intimation of mortality." Donna Seaman
From Kirkus Reviews
Many people, deciding to quit smoking, go cold turkey; others use nicotine gum or a patch. Klein (French/Cornell), however, has taken a unique approach: the writing of this learned, elegant, and fanciful analysis of--and ``elegy'' for--the cigarette. Smokers smoke not just for the nicotine, contends Klein, but also--perhaps primarily--because cigarettes offer ``a darkly beautiful, inevitably painful pleasure that arises from some intimation of eternity.'' By granting access to this sublimity- -which the author says can transform even one's relationship to time (``cigarettes are fiery batons with which you can summon the future and conduct it'')--smoking becomes a symbolic act, a ``dance'' performed between the smoker, the cigarette, and the world; furthermore, it's only by knowing this dance in all its allure that a smoker can then forsake it. Klein examines smoking's symbolic powers through a wide range of cultural references, from Sartre to Mallarm‚, Bizet's Carmen, and Casablanca. Crucial to his argument is his analysis of the first chapter of Italo Svevo's 1923 novel, The Confessions of Zeno, in which the narrator recalls his life as a series of health-oriented resolutions to quit smoking- -each resolution followed always by another cigarette. It's only when, as an old man, he realizes that he's already healthy--i.e., alive--and that smoking is just one way of life, that he quits. In fact, holds Klein, it's not the dream of health that primarily drives America's current antismoking campaigns; rather, it's moralists' censorship of cigarettes' ``discursive performance,'' which hitherto has ``regularly been linked to strong currents of sexual and political freedom.'' Some might find all this just a smoke screen hiding addiction's raw grip--but, even so, it's a lovely one, full of delightful whirls of logic and puffs of insight; moreover, Klein claims that the writing of it has allowed him to quit, ``definitively.'' (Photographs--not seen) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
See all Editorial Reviews
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