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Editorial Reviews
Amazon.com
In this academic work of film and literary criticism, Judith Halberstam examines the monster as cultural object. She discusses classic gothic texts such as Frankenstein and Dracula, and then looks at the impact of changing technology (horror movies with special effects) for depicting monsters. Her argument is that the gothic in its more lurid, unabashedly violent, and perverse forms may be more empowering to the reader/viewer than in its carefully articulated, understated, and sublimated forms. H-Net Reviews calls Skin Shows an "intelligent, well-informed, and provocative piece of writing" and writes that its "greatest strength ... is that it allows for other critics of the Gothic to proceed more self-consciously about the presuppositions that particularly psychoanalysis has introduced into the academic discussion." One caveat, though: the language is somewhat turgid, with awkward verbs such as "gothicize" and "metaphorize."
Review
"[F]ascinating. . . . Skin Shows' greatest strength . . . is that it allows for other critics of the Gothic to proceed more self-consciously about the presuppositions that particularly psychoanalysis has introduced to the academic discussion. . . . In the company of writers who have, like Halberstam as a critic, inheritied a compromised, problematic genre to work with, a study like Skin Shows would stand out more clearly for the intelligent, well-informed, and provocative piece of writing that it is."
--Steffen Hantke, H-Net
See all Editorial Reviews
In this academic work of film and literary criticism, Judith Halberstam examines the monster as cultural object. She discusses classic gothic texts such as Frankenstein and Dracula, and then looks at the impact of changing technology (horror movies with special effects) for depicting monsters. Her argument is that the gothic in its more lurid, unabashedly violent, and perverse forms may be more empowering to the reader/viewer than in its carefully articulated, understated, and sublimated forms. H-Net Reviews calls Skin Shows an "intelligent, well-informed, and provocative piece of writing" and writes that its "greatest strength ... is that it allows for other critics of the Gothic to proceed more self-consciously about the presuppositions that particularly psychoanalysis has introduced into the academic discussion." One caveat, though: the language is somewhat turgid, with awkward verbs such as "gothicize" and "metaphorize."
Review
"[F]ascinating. . . . Skin Shows' greatest strength . . . is that it allows for other critics of the Gothic to proceed more self-consciously about the presuppositions that particularly psychoanalysis has introduced to the academic discussion. . . . In the company of writers who have, like Halberstam as a critic, inheritied a compromised, problematic genre to work with, a study like Skin Shows would stand out more clearly for the intelligent, well-informed, and provocative piece of writing that it is."
--Steffen Hantke, H-Net
See all Editorial Reviews
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