Review
“This extremely valuable collection of essays speaks clearly over silences imposed by the discretion of earlier scholars, mostly male, brought up to believe that one does not speak ill of a lady. . . . [T]he essayists of
Dissing Elizabeth, casting off the oppressive sort of courtesy that declares a woman fragile by treating her as if she were, show the queen in all her intelligence, toughness, and political effectiveness by pointing out just whom she angered and what they did about it. The collection is also valuable in that it deals with some less than canonical but culturally important texts, such as sermons, popular verse, and with visual representations, as well as with works by well-known authors, including that famous mixed message to a maiden ruler, Spenser’s
Faerie Queene. . . . This collection will certainly enrich the study of the queen’s reputation, but it will also be of interest to students of censorship and public response to governmental efforts to control access to information and freedom of speech.”
--Anne Shaver,
Journal of English and Germanic Philology“
Dissing Elizabeth looks at Elizabeth’s contemporary reputation, and finds critics among artists, poets, preachers, and collectors of commonplaces.”
--Christopher Haigh,
English Historical Review“This collection of eleven essays proposes to explore ‘the dark side of the cult of Elizabeth’ and to mount a new historicist challenge to ‘the canonical secondary texts in Elizabethan studies.’ ”
--Simon Adams,
History Today
Product Description
Dissing Elizabeth focuses on the criticism that cast a shadow on the otherwise celebrated reign of Elizabeth I. The essays in this politically and historically revealing book demonstrate the sheer pervasiveness and range of rhetoric against the queen, illuminating the provocative discourse of disrespect and dissent that existed over an eighty-year period, from her troubled days as a princess to the decades after her death in 1603.
As editor Julia M. Walker suggests, the breadth of dissent considered in this collection points to a dark side of the Cult of Elizabeth. Reevaluating neglected texts that had not previously been perceived as critical of the queen or worthy of critical appraisal, contributors consider dissent in a variety of forms, including artwork representing (and mocking) the queen, erotic and pornographic metaphors for Elizabeth in the popular press, sermons subtly critiquing her actions, and even the hostility encoded in her epitaph and in the placement of her tomb. Other chapters discuss gossip about Elizabeth, effigies of the queen, polemics against her marriage to the Duke of Alençon, common verbal slander, violence against emblems of her authority, and the criticism embedded in the riddles, satires, and literature of the period.
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