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Editorial Reviews
Amazon.com
Kathleen Norris is best known for Dakota, her nonfiction book of "spiritual geography." This collection works much the same territory. Norris finds the sacred in the simple as in the poem "Hide and Seek," in which "A thunderclap/ rakes the field of sleep," and becomes a consecration. "Perennials" is a wonderful poem about the undeserved grace from a neglected garden. As the title suggests, this book balances fragility with power, in form and in content.
From Publishers Weekly
Norris, whose poetry collections include The Middle of the World, reached a wide audience with her prose memoir Dakota, A Spiritual Geography. Readers of that book will recognize here her closely considered relationship with the prairie; her persistent and delighted spiritual questioning; her respectful identification with other women both ordinary and extraordinary; and her joy in stories. She writes of love in various forms, without losing her sense of critical discernment. In a poem dedicated to poet Elizabeth Kray, Norris is at a funeral home, where taped music is played: "violins sliding through 'The Way We Were.'/ 'Please turn the music off,' I said, civilly,/ to the undertaker's assistant." Civility marks her views here, whether she is imagining "Young Lovers with Pizza" or considering ordinary, luminous events in poems written for, and to, friends. Their apparent simplicity wrought with subtlety and resonance, Norris's poems are characterized by generosity and compassion, as plain and spacious as the prairie life that has engendered many of them.
Copyright 1995 Reed Business Information, Inc.
See all Editorial Reviews
Kathleen Norris is best known for Dakota, her nonfiction book of "spiritual geography." This collection works much the same territory. Norris finds the sacred in the simple as in the poem "Hide and Seek," in which "A thunderclap/ rakes the field of sleep," and becomes a consecration. "Perennials" is a wonderful poem about the undeserved grace from a neglected garden. As the title suggests, this book balances fragility with power, in form and in content.
From Publishers Weekly
Norris, whose poetry collections include The Middle of the World, reached a wide audience with her prose memoir Dakota, A Spiritual Geography. Readers of that book will recognize here her closely considered relationship with the prairie; her persistent and delighted spiritual questioning; her respectful identification with other women both ordinary and extraordinary; and her joy in stories. She writes of love in various forms, without losing her sense of critical discernment. In a poem dedicated to poet Elizabeth Kray, Norris is at a funeral home, where taped music is played: "violins sliding through 'The Way We Were.'/ 'Please turn the music off,' I said, civilly,/ to the undertaker's assistant." Civility marks her views here, whether she is imagining "Young Lovers with Pizza" or considering ordinary, luminous events in poems written for, and to, friends. Their apparent simplicity wrought with subtlety and resonance, Norris's poems are characterized by generosity and compassion, as plain and spacious as the prairie life that has engendered many of them.
Copyright 1995 Reed Business Information, Inc.
See all Editorial Reviews
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