Questions About Angels: Poems (Pitt Poetry Series) (Paperback)

by Billy Collins (Author)

Editorial Reviews

Amazon.com Review
Billy Collins has a knack for making the familiar exotic and the arcane instantly accessible. His 1991 collection, Questions About Angels, is a loving and often amused search for "the infinite / permutations of the alphabet's small and capital letters." This phrase comes from an ode to his first literary experience--and needless to say, Collins is more honest than most of us might be. Though he would later discover "frightening Heathcliff" and "frightened Pip," and even Adam and Eve, fiction for him began with another famous pair: Dick and Jane. Throughout this witty volume, he explores other heroes who have expanded his vistas--including Goya, Kafka, ancient mapmakers, Constable, and more than one lexicographer in hot pursuit of le mot juste:

Somewhere in the rolling hills and farm country
that lie beyond speech
Noah Webster and his assistants are moving
across the landscape tracking down a new word.

Collins makes you remember your initial delight in metaphor and simile. In "The First Geniuses," for instance, he imagines an era before "the orchestra of history / has had time to warm up," before inventors and artists could quite suss out how to use their gifts:

They have yet to discover fire, much less invent the wheel,
so they wander a world mostly dark and motionless
wondering what to do with their wisdom
like young girls wonder what to do with their hair.

Though his world is heavily populated by painting and literature, several melancholy, cigarette-packed love poems make it clear that people have equal sway. Yet Collins is always intent on proving that art, too, is experience. In "Metamorphosis" he dreams of waking up as the 42nd Street branch of the New York Public Library. "I would feel the pages of books turning inside me like butterflies. / I would stare over Fifth Avenue with a perfectly straight face." No one should be surprised to discover that his wish was partly granted. In 1992, that institution named Collins--with a perfectly straight face?--a "Literary Lion." --Kerry Fried

From Publishers Weekly
Smack-dab in the middle of this collection is the delightful "Purity," a poem detailing Collins's macabre writing process. On Wednesdays, in the late afternoon, the poet goes to his study and sheds his clothes. He then removes his flesh--"so that what I write will be pure, / completely rinsed of the carnal"--and takes out each of his organs so as not "to hear their ancient rhythms / when I am trying to tap out my own drumbeat." "Purity" is about ideas rather than feelings, but the poet executes his metaphors with perfect precision and a bravura wit. Unfortunately, the same cannot be said about most of the other poems here. Collins's images are often strange and wonderful but too frequently his poems are constricted by the novelty of a unifying metaphor. In "Cliche," Collins ( Pok er face ) writes about his life as "an open book," and all that we eventually end up learning is that he "loves to feel the daily turning of the pages." We can admire the scope of Collins's imagination, but his poems rarely induce an emotional reaction, precluding us from any affinity with his experience. This volume was selected by Edward Hirsch for the 1990 National Poetry Series.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 91 pages
• Publisher: University of Pittsburgh Press; 1 edition (January 7, 1999)
• Language: English
• ISBN-10: 0822956985
• ISBN-13: 978-0822956983
• Product Dimensions: 8.4 x 5.5 x 0.3 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars See all reviews (19 customer reviews)
• Amazon.com Sales Rank: #430,623 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

22 of 22 people found the following review helpful:

5.0 out of 5 stars Philosophy and Beauty, December 25, 1999

By	Damian Lessman (Germersheim, Germany) - See all my reviews

I only happened to come across Billy Collins by sheer accident at the bookstore. Curious, I pulled it out and began to read. I, a T.S. Eliot fanatic, was struck down by the absence of those very things I love about Eliot. Collins has a deceptively simple style bereft of even the vaguest trace of poetic posturing. He is not obsessed with language and never picks a word just for the echoes it might produce. One thing I noticed while reading the other reviews of this book was the repition of the word 'accessible,' so I'm not the only one to believe that Collins can be argued about at the dinner table while you're waiting for dessert to be brought out. (Of course, at that point dessert may just never get brought out.) This does not mean that Collins has a 'point' he wishes to express with each poem. On the contrary, each poem leaves a distinct aftertaste that lingers in those deliciously ripe moments after you close the book for a second to savor what you have just finished reading. It is this blend of philosophy and beauty that draws you into his poetry and makes you hunger for more.

15 of 15 people found the following review helpful:

5.0 out of 5 stars Should be Required Reading for jaded citizens, January 4, 2002

By	Anita Stith Tafolla (Provo, Utah) - See all my reviews

Several weeks ago I first discovered Billy Collins. A newspaper article had a quotation where he discussed the fact that he uses subjects and predicates when writing poetry. This peculiar poetic quirk led me to go online to discover that poetry. There I found the poem "Nostalgia", which is included in this book.

I read it, enjoyed it, passed it on to friends. Then a strange thing happened - lines from Nostalgia kept cropping up in my memory. Each time it happened, I gained a deeper respect for the poem. I read and reread my cut-and-paste copy of Nostalgia. Finally, the only possible result occurred - I bought the book that contained it. A book filled with similar marvels.

Reviewers far more renowned that I have already given incredible praise to Billy Collin's work. I'm a pretty ordinary person. I've never studied so that I know all the "proper" elements of a poem. So what can I add that hasn't already been said? I can add that Billy Collins reaches people like me. He takes our ordinary, everyday experiences and looks at them with magic eyes. He sees - and says - the things we all want to feel about life and its infinite possibilities.

Above all, he makes me feel good about my life and my world. I urge you to explore the Collins world - to get that same surge of energy that I have experienced.

14 of 14 people found the following review helpful:

5.0 out of 5 stars If you believe you dont like poetry., June 28, 2000

By	Joan Mazza "Author, speaker, poet" (Mineral, VA USA) - See all my reviews (REAL NAME)

author of DREAMING YOUR REAL SELF, DREAM BACK YOUR LIFE, and WHO'S CRAZY, ANYWAY?

Billy Collins takes the ordinary and makes it extraordinary. His juxtaposition of images and ideas is whimsical, surprising, and always delightful--from the simple act of weighing his dog to a single angel dancing on the head of a pin in time with the music of a jazz combo. This is poetry to read aloud, to let it touch you deeply, to make you laugh and wish you could write and see the world as he does. Prepare to be captivated by his flights of imagination without struggling to understand.