From Library Journal
In this fascinating book, Hughes explores the lives of famous "creatives," from Plato to Vincent Van Gogh to chess player Bobby Fisher, observing that the "creative process requires, at least in some of its operations, a state of consciousness that is dramatically, sometimes dangerously altered." The book becomes especially absorbing when Hughes considers the effects of brain chemistry, illness (including mental illness), and drug use on the work of famous "creatives." Hughes speculates that the "death wish" expressed in some of Keats's poetry and the "sweet sadness" in Chopin's nocturnes might have resulted from their tuberculosis. He also considers Faulkner's manic depression, surmises that Sir Isaac Newton was a schizophrenic, and shows how opium, hashish, cannabis, and cocaine might have influenced the art and activities of many "creatives." This thoroughly enthralling book will appeal to anyone interested in the components of creativity, whether or not they agree with Hughes's premises. Highly recommended.ARobert T. Ivey, Univ. of Memphis
Copyright 1999 Reed Business Information, Inc.
Product Description
This provocative study takes readers on the ultimate creative trip, exploring in depth the heightened states of mind that give rise to art. The book considers how the components of creativity--awareness, energy, loss of self-consciousness--are affected by stimuli to the brain such as meditative rituals, alcohol, and drugs. The impact of altered states on Samuel Coleridge, William Faulkner, Jackson Pollock, and other creative giants is explored, as is the role drugs play in group creativity--jazz, blues music, experimental theater, film. Also discussed are pop icons such as Little Richard, Bob Dylan, John Lennon, Jimi Hendrix, and Jerry Garcia and the visionary, surreal quality often associated with their music, describing ecstatic experience or demonic worlds. END