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The Figure in Motion (Paperback)

by Thomas Easley (Author) "Though artists must learn to see before they learn to draw, they do not necessarily draw what they see..." (more)
3.7 out of 5 stars See all reviews (24 customer reviews)

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Customers buy this book with Facial Expressions: A Visual Reference for Artists by Mark Simon

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Editorial Reviews

Product Description
Leaping, somersaulting, stretching, dancing figures animate this gallery of marvelous action poses, photographed for artists of all levels to use as reference when portraying human figures in motion.

Expertly composed and lit pictures of male and female models in suspended action show the body from numerous vantage points. Students practice figure drawing by copying the photos, while advanced artists use them as points of departure, altering body positions to suit specific compositional needs.

About the Author
Thomas Easley, whose paintings are in many distinguished private collections, lives in South Lake Tahoe, California. Mark Smith, whose photographs appear in fine periodicals and travel books, is based in Venice, Italy.


Product Details

  • Paperback: 176 pages
  • Publisher: Watson-Guptill (May 1, 2000)
  • Language: English
  • ISBN-10: 0823016919
  • ISBN-13: 978-0823016914
  • Product Dimensions: 11 x 8.3 x 0.5 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars See all reviews (24 customer reviews)
  • Amazon.com Sales Rank: #337,815 in Books (See Bestsellers in Books)

Inside This Book (learn more)
First Sentence:
Though artists must learn to see before they learn to draw, they do not necessarily draw what they see. Read the first page
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Customer Reviews

24 Reviews
5 star:
 (9)
4 star:
 (4)
3 star:
 (6)
2 star:
 (4)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (24 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
74 of 77 people found the following review helpful:
3.0 out of 5 stars I'll Take Muybridge and a Magnifying Glass, Please, August 16, 2000
By E. Richards "Herself" (Alone with my thoughts) - See all my reviews
(REAL NAME)   
It's a pretty straightforward resource. It is hard to get your friends to peel off all their clothes and suspend themselves in midair, I will grant you that.

Also, it does not fill up half the book with those inevitable chapters telling the reader, "This is a pencil, you can draw with it and use an eraser, too. This is a watercolor brush..."

However, most of the poses in this book are unnatural poses of people making gestures I don't see in real life. A large majority of the images are of women, and skinny L.A. style women at that. (Interesting shave, there, missy.) Some of the photos are very, very dark and don't reveal anatomy at all. Also, they are very grainy. I don't know if this is a function of the film or the printing process (to keep the cost of printing an all-photo book down.)

I have to say, it was one of the better ones in the bookstore, but it leaves a good bit to be desired. It would have been nice if there were more males in it, the poses were more natural, and there were people of different sizes and (hello?) colors in there, too.

I have been using it to draw from, but all the flying in the air spreadeagle poses are not going to make it into my sketchbook. I think I will invest in a good magnifying glass and do some drawings from Muybridge's photo collections of people and animals in motion.

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15 of 15 people found the following review helpful:
5.0 out of 5 stars Great for beginners, advanced, intermediate, and fun!, February 6, 2000
By David Beoulve (United States of America) - See all my reviews
This book contains full-sized nudes in motion and organizes them by the angle of the photograph. Face-forward shots come first, then forward-left, left, backward-left, backwards, backwards-right and so forth until a complete circle is made. This makes finding the perspective you want quite easy.

All of the photographs are black and white, which is great for pencil, charcoal and any medium lacking color. The last 1/3rd of the book has a male figure.

All in all, this book is great due to these elements:

1) All photographs are large and clear, and original photographs. You aren't drawing a copy of someone else's artwork.

2) Sample "thumbnail" sized artwork is provided on some margins to show you different styles of art and ways to draw the figures.

3) The book is organized such that it is easy to find the pose you want.

4) All of the figures are in motion, something that a real-live model can't hold for long, if at all.

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14 of 14 people found the following review helpful:
2.0 out of 5 stars good idea, bad execution, September 9, 2004
By taki renzaburo (antarctica) - See all my reviews
As other reviewers have mentioned, the photos are grainy. very grainy. However, left unmentioned was something even more troubling - many of the photos have been digitally cropped in photoshop or some such program. this was done presumably to save ink by not printing backgrounds. The cropping was done extremely poorly and amateurishly - there are toes that come to points, feet that look like blocks, all sorts of bizarre and unnatural concavities. a real hatchet job. the end result looks like someone took a pair of scissors and crudely snipped photos from a magazine. this sort of problem is particularly distressing in a book intended for artists as the accurate depiction of the outer contour of a form is vital for drawing.
On another note, the models are not actually that thin. more average. This would have been a useful book, if not for the botched photos. An older edition would likely be satisfactory.
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Most Recent Customer Reviews

5.0 out of 5 stars Artist must have resource book
This book is a must have for all serious artists. It is well done with its action and choice of moving poses. Read more
Published 15 months ago by John Gronning

5.0 out of 5 stars From the Studio to the Bookshelf
This book is definitely meant for artists who are looking to study the human anatomy in motion. People looking to copy poses specifically for illustration purposes look elsewhere... Read more
Published 19 months ago by K. E. Moore

3.0 out of 5 stars used or not at all
like others said the pictures are grainy. not enough lighting on some...need some ethnic women...
Published on May 26, 2007 by D. phillips

2.0 out of 5 stars Several Problems
I've seen several mentions of grainy photos, and they are grainy, however that is the least of the problems with this book. Read more
Published on January 12, 2007 by Painting Lady

3.0 out of 5 stars decent book, not a must-have
the photographs aren't of the BEST quality [very grainy], but that didn't really bother me much.

the poses are very un-natural and a little forced. Read more
Published on December 31, 2006 by Margot Fargot

5.0 out of 5 stars The Figure in Motion
This is the best book on anatomy (for sculptors), that I have found so far!

Almost any shift of any muscle can be found in one of the photographs. Read more
Published on September 16, 2006 by Mostly Art

5.0 out of 5 stars figure in motion
i am pleased with this book. i can't imagine another pose that is not in this book on motion
Published on August 5, 2006 by Jeanette F. Smith

2.0 out of 5 stars Pictures Quality
The quality of the pictures need significant improvement. As an artist you need all possible details for the best results.
Published on July 16, 2006 by Julie A. B. Almeida

3.0 out of 5 stars Sometimes useful
I've had this book for a long time and I used to refer to it quite a bit when I was teaching myself to draw moving figures. Read more
Published on June 14, 2006 by Simon Fraser

4.0 out of 5 stars Not for your generic Fine Artist
Okay, so you're an animator, storyboard artist, illustrator or sequential artist, and you need to find a pose that approximates the appearance of someone falling off a building... Read more
Published on April 20, 2006 by Raelyn

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