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Editorial Reviews
Amazon.com
Creativity is one of the great mysteries of life. Everyone may possess it to some degree, but why do some people seem completely in touch with their creative powers while others struggle to connect with it at all? How do you unlock your creative potential--or maximize it, if you're already utilizing some level of it? This inspirational book--meant primarily for painters but full of sage advice for other types of artists and crafters, too--teaches how to release your muse by exploring the basics of the language of art and by applying the Zen principles of blending body, mind, and spirit and of following an intuitive rather than purely logical approach. The author's own lyrical, vividly colored paintings (as well as works by other artists) complement her highly readable discussions of self-awareness, instinct, mandalas, harmony, and mindfulness, as both important general concepts and as they pertain to landscape, still life, and figural art. In short, she teaches you how to know yourself as a creator, and to recognize that "creative vision really is your natural birthright" and that "art has something to offer everyone ... as a means of self-knowledge." --Amy Handy
From Library Journal
Inspiration may be the most important element in the psyche of an artist. These volumes represent three widely different sources of inspiration, one from the spiritual world of Zen, another from the personal guidance of an accomplished mentor, and the last from the wildest reaches of the imagination. Carbonetti had a surprise hit with her first book, The Tao of Watercolor. This one may also find a wide audience, despite its rather superficial use of Zen. It is a bold attempt, but those seriously interested in Eastern religion as artistic inspiration will be disappointed. Howard is a master of light in both watercolor and oil. Appointed Official Artist in Northern Ireland and a member of the Royal Academy, he is a stimulating teacher with strong views. Going from the sublime to the hideous, Jefferies's book on fantasy art will either stimulate the imagination or provoke nightmares. His is one of the best manuals for creating beasts, angels, demons, wizards, and cursed castles. He even gives tips on making maps for lands where your creatures can roam. Three good volumes, each sure to find an audience.
Copyright 1999 Reed Business Information, Inc.
Creativity is one of the great mysteries of life. Everyone may possess it to some degree, but why do some people seem completely in touch with their creative powers while others struggle to connect with it at all? How do you unlock your creative potential--or maximize it, if you're already utilizing some level of it? This inspirational book--meant primarily for painters but full of sage advice for other types of artists and crafters, too--teaches how to release your muse by exploring the basics of the language of art and by applying the Zen principles of blending body, mind, and spirit and of following an intuitive rather than purely logical approach. The author's own lyrical, vividly colored paintings (as well as works by other artists) complement her highly readable discussions of self-awareness, instinct, mandalas, harmony, and mindfulness, as both important general concepts and as they pertain to landscape, still life, and figural art. In short, she teaches you how to know yourself as a creator, and to recognize that "creative vision really is your natural birthright" and that "art has something to offer everyone ... as a means of self-knowledge." --Amy Handy
From Library Journal
Inspiration may be the most important element in the psyche of an artist. These volumes represent three widely different sources of inspiration, one from the spiritual world of Zen, another from the personal guidance of an accomplished mentor, and the last from the wildest reaches of the imagination. Carbonetti had a surprise hit with her first book, The Tao of Watercolor. This one may also find a wide audience, despite its rather superficial use of Zen. It is a bold attempt, but those seriously interested in Eastern religion as artistic inspiration will be disappointed. Howard is a master of light in both watercolor and oil. Appointed Official Artist in Northern Ireland and a member of the Royal Academy, he is a stimulating teacher with strong views. Going from the sublime to the hideous, Jefferies's book on fantasy art will either stimulate the imagination or provoke nightmares. His is one of the best manuals for creating beasts, angels, demons, wizards, and cursed castles. He even gives tips on making maps for lands where your creatures can roam. Three good volumes, each sure to find an audience.
Copyright 1999 Reed Business Information, Inc.
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