Chords and Progressions Jazz and Popular Gtr (Guitar Books) (Paperback)

by Arnie Berle (Author), Ronnie Ball (Author) "Up until the explosion of rock music in the Fifties, guitar playing was left to the "greats" . . . Lonnie Johnson, Django Reinhardt, Barney..." (more)
Key Phrases: above chord forms, major harmonized scale, flatted fifth substitute, Progression Number, Aura Lee, Form One (more...)

Editorial Reviews

Product Description
This book teaches guitar players of all levels how to construct and use chords for accompaniement and soloing. Practical examples and exercises take you from basic theory and simple accompaniment patterns to advanced chord soloing and comping. A complete survey of chord theory and technique.

Product Details

• Paperback: 128 pages
• Publisher: Hal Leonard Corporation (December 31, 1986)
• Language: English
• ISBN-10: 0825610567
• ISBN-13: 978-0825610561
• Product Dimensions: 11.8 x 8.9 x 0.4 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars See all reviews (16 customer reviews)
• Amazon.com Sales Rank: #135,986 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

32 of 33 people found the following review helpful:

5.0 out of 5 stars Good, comprehensive book on jazz chord voicings, March 8, 2000

By	David Sobson (Fort Collins, CO) - See all my reviews

This is a great book for the intermediate guitarist, or for advanced players looking to move into the jazz arena. (Not for novices: only the first 29 pgs. out of 126 are beginner-level info. The learning curve gets a good deal steeper after that.) The book first walks you through basic jazz chord forms (with roots on 6th and 5th strings), then into inversions (seemingly every conceivable type!). Next, you get to deal with extensions, alterations, embellishments, and substitutions for I, II, and V chords (and, ultimately, any major, minor, or dominant). The rest of the book is fleshed out with smaller sections on triads, chord melody playing, comping, etc., which work to tie the concepts together. The format is mainly chord diagrams, indicating both fingering and note values (roots, 3rds, etc.). Works best taken in doses, working with each concept until absorbed. Used along with a study of scales/modes and their use around various chord shape, you could become a true fretboard master!

16 of 16 people found the following review helpful:

4.0 out of 5 stars A Good Jazz Guitar Chord Introduction, July 21, 2000

By	Bkay1 (Sheboygan, WI USA) - See all my reviews

This book is highly recommended. The author touches on jazz progressions, rhythms, inversions, substitutions, fingerstyle, chord-melody solos, alterered chords, and a host of other techniques that the novice or intermediate jazz guitarist will find interesting, challanging, and if mastered, very rewarding. To understand the author's theoretical explanations the reader should have rudimentary knowledge of harmony and melody. I found the book to be very useful.

15 of 15 people found the following review helpful:

5.0 out of 5 stars Perfect for the Neophyte Guitarist, January 3, 1999

By A Customer

Unlike a lot of books that expect you to already know some music theory before you use them, this book doesn't assume anything.

It bogs you down a little with the inversions they have you memorize, and the chords that look like fractions and chemistry symbols are intimidating, but at least you start out slow and easy...by the time you're into the inversion chapter you've already been able to hear your progress in a jazz-flavored accompaniment to "Blue Moon". I myself was amazed after I played it and could actually superimpose the song over the chord changes in my mind; I could say, yeah, that works!

I wish all guitar instruction books were programmed the way this one is. By the end of the book, and I'm not there yet, you really know your music, and not just jazz, either!