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The Empire of the Text
 
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The Empire of the Text (Paperback)

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Editorial Reviews

Product Description

This groundbreaking book argues that in the Qin-Han period, there arose in China a regime of textual authority-one that overlapped but did not coincide with imperial authority. Drawing on a wide range of research and theory, Connery makes an original contribution to the analysis of early imperial elite culture, particularly in the fields of literature and linguistics, intellectual, and institutional history. The author provides new contexts for thinking about canonization and textual transmission systems, an innovative framework for analysis and discussion of the early imperial elite, a socio-ideological exploration of one strand of late Han "Confucian" thought, and a critique of the concepts of subjectivity and the "birth of lyricism" in China. His original perspective on new and old issues in the field will be of keen interest to comparativists in Western studies as well as those in the China field, both modern and pre-modern.


About the Author

Christopher Leigh Connery is associate professor of literature at the University of California, Santa Cruz.

Product Details

  • Paperback: 224 pages
  • Publisher: Rowman & Littlefield Publishers, Inc.; First edition (January 1999)
  • Language: English
  • ISBN-10: 0847687392
  • ISBN-13: 978-0847687398
  • Product Dimensions: 8.7 x 6.3 x 0.6 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.com Sales Rank: #685,722 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #47 in  Books > Literature & Fiction > History & Criticism > Asian > Chinese
    #92 in  Books > Literature & Fiction > World Literature > Chinese

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Christopher Leigh Connery
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14 of 21 people found the following review helpful:
5.0 out of 5 stars A remarkably learned and innovative approach to textuality, May 13, 1999
By A Customer
This study presents a remarkably learned and innovative approach to textuality as linked to the production of Chinese imperial identity. Texts function not just as literary icons but as material transactions and installations of power. While detailed in thick cultural ways, this innovative approach to textuality has larger implications for the China study field (where it will be taken by some as a threat to their own textual power at Chicago and Columbia etc.), as well as for the broader field of cultural studies where the "empire of the text" is still confined to the pop cultural text as such. This is the first of many books from an innovative scholar who denies himself the lesser comforts and pieties of the "Chinese field imaginary." Go for it.
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