Monet And The Mediterranean (Hardcover)

by Joachim Pissarro (Author)

Editorial Reviews

Review
"The success of Monet and the Mediterranean suits Monet's own, because it is comparably multifaceted: as biography, it is insightful; as history, it is innovative; as critical interpretation, it is both poetic and sound.

In Pissarrro's text, Monet's 'Southern' paintings emerge as if seen for the first time: never before have they been related so evocatively to the prevailing cultural myths of the Mediterranean . . . . "--Richard Shiff, author of Cézanne and the End of Impressionism

"This is Joachim Pissarro's greatest gift: a deep love for painting which he communicates in an especially thoughtful and subtle way. At once a scrupulous historian, an imaginative theorest, and an incisive critic, Mr. Pissarro is committed to the highest standards of intellectual as well as aesthetic engagement with our inherited legacy of works of art. This is no merely custodial relation to the past, however, for through his work he means to transform how we will engage with the vital issues of our own culture today."--Steven Z. Levine, author of Monet, Narcissus, and Self-Reflection
-- Review --This text refers to an out of print or unavailable edition of this title.

Review

"The success of Monet and the Mediterranean suits Monet's own, because it is comparably multifaceted: as biography, it is insightful; as history, it is innovative; as critical interpretation, it is both poetic and sound.

In Pissarrro's text, Monet's 'Southern' paintings emerge as if seen for the first time: never before have they been related so evocatively to the prevailing cultural myths of the Mediterranean . . . . "--Richard Shiff, author of Cézanne and the End of Impressionism

"This is Joachim Pissarro's greatest gift: a deep love for painting which he communicates in an especially thoughtful and subtle way. At once a scrupulous historian, an imaginative theorest, and an incisive critic, Mr. Pissarro is committed to the highest standards of intellectual as well as aesthetic engagement with our inherited legacy of works of art. This is no merely custodial relation to the past, however, for through his work he means to transform how we will engage with the vital issues of our own culture today."--Steven Z. Levine, author of Monet, Narcissus, and Self-Reflection

--This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Hardcover: 191 pages
• Publisher: Rizzoli (April 15, 1997)
• Language: English
• ISBN-10: 0847817830
• ISBN-13: 978-0847817832
• Product Dimensions: 11.5 x 9.3 x 0.9 inches
• Shipping Weight: 2.9 pounds
• Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #224,156 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

12 of 13 people found the following review helpful:

5.0 out of 5 stars SPELLBINDING VISUAL EXCITEMENT, September 30, 2000

By	Gail Cooke (TX, USA) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)    (COMMUNITY FORUM 04)

This review is from: Monet and the Mediterranean (Paperback)

The artist's rainbow palette and his self-imposed task of "painting light" are vividly presented in Monet and the Mediterranean by Joachim Pisarro. Focusing on Monet's work during his three stays on the southern coasts of France and Italy, this exhibition catalogue showcases paintings executed under the most extreme effects of light.

Grandson of Camille Pisarro and a noted art historian, Joachim Pisarro writes, "Monet's decision to paint by the Mediterranean in 1884 was bound to an inner strategy: his art was a constant search for shatteringly new pictorial motifs."

We are not disappointed, the lushly overgrown vegetation and brilliant sun in his landscapes provides spellbinding visual excitement.

"What is astonishing about Monet's work in the south is the degree of elasticity, of pictorial metamorphosis, and of technical virtuosity it required from the artist." Mr. Pisarro said. "A century after these paintings were produced, their impact remains undiminished."

An insightful biography and history, Monet and the Mediterranean holds 120 striking color plates.

4 of 4 people found the following review helpful:

5.0 out of 5 stars A Monet Treasurehouse - Gorgeous Color Plates!, May 21, 2004

By	Jana L. Perskie "ceruleana" (New York, NY USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

Claude Monet's fascination with the Mediterranean began in December 1883, when Pierre-Auguste Renoir invited him on a trip to the Riviera. En route to the sea they visited Paul Cézanne in L'Estaque. By the time they reached Monaco, their first Mediterranean stop, Monet was completely enchanted by the warm southern climate, its lush, exotic vegetation, and the extraordinary quality of light. He was to return again and again to the southern coasts of France and Italy to paint some of his most superb work.

"Monet And The Mediterranean" unites over 100 paintings created during the course of three major trips Monet made to the Mediterranean from 1883 to 1908. The sheer beauty of the nature these works depict is breathtaking, as are the luminescent colors of his palette and dazzling light effects. The artist's use of light is frequently dramatic, as he often painted scenes at sunrise, midday and sunset.

Joachim Pisarro has brilliantly communicated, through this text, his deep love for painting and art history. He has combined and provided here a biography, history, and critical interpretation that allowed me to view some of my favorite paintings as if for the first time. This volume features over 100 color plates, with introductory commentaries for each series or group of paintings. The artist's love of the region and its light is evident in his work - from olive and citrus trees in the Italian fishing village of Bordighera to the vast seas and skies of Cap Martin and Cap d'Antibes to the shadowy canals and golden Ducal Palace of Venice. The Mediterranean was, perhaps, Monet's greatest muse, providing him with a climate, light and color that possessed him with what curator Joachim Pissarro calls an "ineluctable need to paint."

A real treasure of a book! Makes a wonderful gift!
JANA