Amazon.com Review
Coinciding with the 1999 exhibitions of his paintings in Antwerp and London,
Anthony van Dyck: 1599-1641 celebrates the 400th anniversary of the birth of the celebrated Flemish painter. Van Dyck is perhaps best known for his religious paintings, which are outstanding examples of the Baroque style, and he is also considered one of the greatest portrait painters in an age of exceptional portraitists. He revolutionized royal portraiture in England by introducing more dynamic compositions, often incorporating the dramatic presence of a draped curtain leading out into a natural vista and open skies. Born in Antwerp to a wealthy merchant family, van Dyck began to paint at the age of 10 and had already earned the privilege of studying with Peter Paul Rubens by the time he was a teenager. He shared a workshop with Jan Brueghel the Younger, and his contemporaries included Poussin, Lorrain, and Velázquez. Later he would become court painter for King James of England, as well as for Charles I, and he immortalized their key subjects during the charged era of the English Civil War. He had a special talent for depicting his regal subjects with a relaxed elegance not seen in the more formal portraiture that had preceded him. And his ability to paint sumptuous fabrics is almost unparalleled.
This large, stately, cloth-covered hardback contains over 100 of van Dyck's masterpieces, including rarely seen works. Its 359 pages are lavishly illustrated with quality full-color reproductions, including painting details and preliminary drawings. A chronology, descriptions of each work, and essays by prominent scholars in the field make this the most authoritative volume on the artist to date. --A.C. Smith
From Library Journal
An exhibition catalog marking the 400th anniversary of the Flemish artist's birth, this is the first substantial English-language treatment since the Washington exhibition in 1990. Curatorial authors cover the chronological and geographic span of Van Dyck's brief life in 90 pages of essays, from his birth in Antwerp to his study with Rubens, years in Genoa, return to Antwerp and religious painting, and final years as chronicler of the Stuart court of Charles I in England. The authors write briefly and accessibly but without breaking new ground. The bulk of the book is detailed entries, chronologically arranged, on the 100-plus pictures in the exhibition, held in London and Antwerp. There are a generous number of comparative illustrations, though the plates are rather harshly colored, and each entry has full scholarly apparatus. Overall, this is a good visual summary of Van Dyck's life and work for public and academic art history collections.AJack Perry Brown, Art Inst. of Chicago Lib.
Copyright 1999 Reed Business Information, Inc.
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