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Product Description
Johann Joseph Fux's reputation as a theorist and the long-term influence of his theoretical and pedagogical work have ensured that his name is widely known in music circles in the West. His pre-eminence as the foremost native-born composer of the Austrian Baroque has resulted in attention being focussed on his work as an exemplum of virtually every genre, sacred or secular of Austro-Italian early 18th century music. The essays in this volume are aimed at developing our understanding of Fux, his music, and his place in musical history.
Language Notes
Text: English, German
Johann Joseph Fux's reputation as a theorist and the long-term influence of his theoretical and pedagogical work have ensured that his name is widely known in music circles in the West. His pre-eminence as the foremost native-born composer of the Austrian Baroque has resulted in attention being focussed on his work as an exemplum of virtually every genre, sacred or secular of Austro-Italian early 18th century music. The essays in this volume are aimed at developing our understanding of Fux, his music, and his place in musical history.
Language Notes
Text: English, German
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6
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- Music in Eighteenth-Century Austria by David Wyn Jones on page 4, and page 201
- Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945 (Musicology) by Harry White in Front Matter
- The Cambridge Companion to the Clarinet (Cambridge Companions to Music) by Colin Lawson in Back Matter
- The Early Clarinet: A Practical Guide (Cambridge Handbooks to the Historical Performance of Music) by Colin Lawson in Back Matter
- From Renaissance To Baroque: Change In Instruments And Instrumental Music In The Seveteenth Century by Jonathan Wainwright in Back Matter
See all 6 books citing this book
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