A Neutral Corner: Boxing Essays (Paperback)

by A. J. Liebling (Author), Fred Warner (Editor), James Barbour (Editor) "In the history of the English prize ring, there came a day when Pierce Egan, its Thucydides, had to write, "Abraham Belasco must be pronounced..." (more)
Key Phrases: New York, Eighth Avenue, Floyd Patterson (more...)

Editorial Reviews

From Publishers Weekly
Liebling (1904-1963) was an impeccable stylist, whether covering the vagaries of the American press, the glories of France or the simple pleasures of good food. He may have reserved his best literary efforts, however, for boxing, a contention borne out by the 15 essays in this collection, all originally published in the New Yorker between 1952 and 1963. His talent for extended metaphor is beautifully displayed in "The University of Eighth Avenue," about Stillman's Gym in Manhattan; for a simile in a class of its own, see his description of heavyweight champion Ingemar Johansson going down "like a double portion of Swedish pancakes with lingonberries and sour cream." Liebling's brevity happily infects his description of Indianapolis as "built around two large monuments to the wartime dead, which set the urban tone." These pieces are not blow-by-blow, round-by-round accounts of great fights, but observations of sporting people and places. Anyone who appreciates good prose, if not boxing, will find surprises and satisfaction here.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review
"Fans who thought there was no more vintage Liebling to savor on a winter's eve can now rejoice. These fifteen previously uncollected prize-fighting pieces... add to the wordsmith's impressive knockout record." -- Time

"Long before Tom Wolfe and Hunter S. Thompson were out of diapers, chubby Joe Liebling was taking his readers on excursions through the hidden and often hilarious levels of the bruised subculture [of boxing].... Liebling has the knack of informing and entertaining the uninitiated without boring the aficionados." -- Katherine Dunn, The Los Angeles Times Book Review

"No modern writer makes better company." -- Malcolm Jones, Jr., Newsweek

“Fans who thought there was no more vintage Liebling to savor on a winter’s eve can now rejoice. These fifteen previously uncollected prizefighting pieces . . . add to the wordsmith’s impressive knockout record.”—Time

“Nobody wrote about boxing with more grace and enthusiasm than Joe Liebling.” – Red Smith, The New York Times
-- Review

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Product Details

• Paperback: 245 pages
• Publisher: North Point Press; 1st Pbk. Ed edition (August 31, 1996)
• Language: English
• ISBN-10: 0865474958
• ISBN-13: 978-0865474956
• Product Dimensions: 8.5 x 5.5 x 0.7 inches
• Shipping Weight: 11.2 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars See all reviews (5 customer reviews)
• Amazon.com Sales Rank: #803,383 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

9 of 11 people found the following review helpful:

5.0 out of 5 stars Boxing Essays from a Master, July 9, 2000

By	Not Gullible Enough to be a Neocon (Seattle, WA United States) - See all my reviews

A.J. Leibling captures the smokey ambience of the ring and its world with a masterly hand. Joyce Carol Oates ("On Boxing") may be squeamish and over-dramatic, and Budd Schulberg self-promoting and exasperating, but Mr. Leibling the has a touch born of a top flight journalist and ardent boxing fan who also has the benefit of minute observation, a genial sense of humor, a well seasoned knowledge of the world, and a strong classical education. We enter the world protrayed in A Neutral Corner by way of the dingy confines of Stillman's gym in New York City, but on the way over are entertained by a short, amusing and thoroughly knowledgable meditation on the Great Ancients of boxing: 18th/19th century Pierce Egan (whom Liebling calls the ring's "Thucydides") and Jewish greats Dan Mendoza and Dutch Sam. Liebling muses on their significant contribution to the ring and that of the Jewish fighters in general and we finally fetch up at Stillman's gym (an icon of New York Boxing) simultaneously with the reflection that there are few Jewish fighters these (1952) days. "With a good Jew fighter now" One of the managers declares, "you could make a fortune of money." There is the rise of Irish fighters and the economic circumstances that gave birth to both Jewish and Irish fighters, and the availability of day jobs that waylay their ring ambition. Yet this is hardly a dry academic treatise, for it is entertwined and amplified by the thoughts and opinions of the trainers, managers and boxers at Stillman's.

Liebling is interested in everything and everyone, and nothing escapes his pen as he immerses the reader in whichever world he is illustrating with his mixture of scholarly observation and streetwise humor. At one point we arrive in Tunis, where one escapes from the oppressive heat into a museum and suddenly comes upon an ancient mosaic of a boxing match. It depicts one fighter knocking down the other. "The fellow on the receiving end", Liebling muses, "has an experienced disillusioned look, like that of a boy who has fought out of town before..." The Tunisian passion for prizefighting has deep roots, and seems hardly about to diminish, with the buildup to a local match nearly consuming the entire city.

Throughout these essays there is the sense of accompanying Liebling as he chats with the managers, watches the boxers train, pokes his head into training camps and interviews fighters and has a drink at The Neutral Corner, a New York bar and grill, to hash it all out. We sit with him near ringside where his smooth prose in no way interferes with his immediate and lively portrayal of the fights. We become acquainted with Floyd Patterson, a sensitive and intelligent fighter forever in search of his soul, the professorial Archie Moore, a very young Cassius Clay and another side of the habitually taciturn Sonny Liston.

Liebling's prose flows and some have remarked on its pyrotechnics, but is tight and descriptive, and his interests comprehensive. Each essay (originally printed in The New Yorker) builds an absorbing world of its own, though several are connected by common themes (for instance, Stillman's gym, Floyd Patterson's series of fights). This is a book for the die-hard boxing fan, for it there is little in it that does not pertain to boxing, its past and present. It can also be enjoyed by the general reader and lover of good writing, for it is a collecton of essays, each one lively and gracefully written, about the people, first and foremost, who make up the old and sometimes dark world of prizefighting.

6 of 7 people found the following review helpful:

5.0 out of 5 stars AN OUTSTANDING COLLECTION OF ESSAYS, July 9, 1997

By A Customer

This book is a must for all boxing fans. It contains reviews of BOTH Patterson/Johansson and Patterson/Liston fights, plus Ali's first pro bout. Mr. Liebling was the consummate boxing writer. He gives some very interesting information on the fighters camps and personal lives that make for a great read. An essential addition to any library

3 of 3 people found the following review helpful:

5.0 out of 5 stars And Here's The Rest, May 6, 2007

By	mojo_navigator - See all my reviews

It's generally accepted that Liebling's The Sweet Science is the finest piece of Boxing literature ever concieved. The writing was lyrical in a way rarely seen in sports writing (or any other kind of writing for that matter), the world he described captivating. Just when we thought that that was all there was, lo and behold, here comes the second part of Lieblings oeuvre. And it's every bit as potent as the first part!

As with its predecessor, A Neutral Corner makes it's mark by intelligent and cultured writing that captures the atmosphere and culture of Boxing life in urban America in the mid-/late-'50s. If The Sweet Science focused on many characters, then A Neutral Corner chooses as its central hero Floyd Patterson - a fighter not normally held in high esteem in fight circles. Here we see his progression from champion to challenger to champion again and finally to his ultimate destruction. We are also treated to Liebling's by now well-established preference for the artistic rather than the brutal and this seems to be best expressed in his classic observations on a nascent Muhammad Ali ("The Poet"). Reading his initial thoughts on this larger-than-life character compounds the tragedy that he didn't live to see and wax lyrical on the flowering of that talent.

A.J. Liebling was no crude sports hack. The man was a scholar and an individual as these pieces attest. His writing is a poetry in itself.