From Booklist
*Starred Review* Bowden, a midwesterner who discovered his spiritual home and totem, the mesquite, in the brutal and beautiful Sonoran Desert, trained as a historian but was destined to become a journalist witnessing life in a violent and volatile world ruled by "cannibals . . . who create nothing but who can consume everything." In a fiery and poetic indictment that continues the feverish social and moral inquiry begun in
Blood Orchid (1995), he profiles rapists, drunks, outlaws, a suicidal artist, ne'er-do-wells, and do-gooders; suffers grievously over tortured and murdered children; brilliantly links the story of an institutionalized self-taught artist and convicted killer who obsessively paints pictures of presidents with a blazing reassessment of Lyndon Johnson; chronicles an execution; mourns the death of four friends; and vividly portrays the mighty nineteenth-century Yaqui war leader Cajeme. As furious, wounded, lustful, and compelling as Algren and Miller, Bowden confesses his depthless hunger for women, good food, red wine, sunlight, gardening, and freedom, and warns, presciently, of an inevitable wave of violent change. Fueled as much by love and compassion as by sorrow and rage, Bowden's red-hot blues embrace life in all its confounding intensity.
Donna SeamanCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.
Review
"A vivid, lyrical journey through the American Southwest¿[but] this book is no travelogue. Rather it is a visceral exploration of a much darker, landscape, that of the human psyche." --Debra Ginsberg,
The San Diego Union-Tribune"As a writer seeking justice in his words, he is like a man clearing the brush, trying to break through, to get enough light and oxygen to see his trees and sky again before he goes back under." --Susan Salter Reynolds,
Los Angeles Times Book Review"A¿powerful book, a hybrid of journalism, memoir and natural history that roves restlessly, almost tangentially between places, times and perspectives." --Eric Hanson,
Minneapolis Star Tribune"He seems to me a literary descendant of both Henry Miller's mad and energetic jazz riffs and the passionate rhetoric of James Agee." --Bill Holm,
Hungry Mind Review"A thrillingly good writer whose grandness of vision is only heightened by the bleak originality of his voice." --Ron Hansen,
The New York Times Book Review --
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