From Library Journal
This well-produced, standard-format catalog is appropriately direct in summing up the career of one of America's great contemporary painters. For three decades Close has painted one subject?the human head?in a strikingly immediate, deceptively dispassionate manner. In the 27 years since his first museum show, he has struggled to overcome the label of photorealist, and the subtle but constant evolution demonstrated in this retrospective should finally prove that he never really belonged in that particular school. Instead, a man concerned with the vagaries of paint and its application, with the process of seeing, and with the creative process is what emerges from the 60 extremely rich reproductions, the three essays by Museum of Modern Art curators, and the candid interview. Complete end matter closes the volume. A perfect complement to John Guare's more personal account of Close's paralysis, Chuck Close (LJ 2/15/96), this is recommended for all but the smallest libraries.?Eric Bryant, "Library Journal" Danzker, Jo-Anne Birnie.
Copyright 1998 Reed Business Information, Inc.
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Product Description
This volume, the most comprehensive assessment of Chuck Close's work yet published, accompanied a mid-career retrospective exhibition that opened at The Museum of Modern Art, New York, on February 25, 1998. A leading figure in the New York art world since the early 1970s, Close has recently concentrated on portraits of his artist friends and colleagues, characterized by colorful patterning and vivid brushwork. Subjects include Robert Rauschenberg, Roy Lichtenstein, Alex Katz, Kiki Smith, Lucas Samaras, and Lorna Simpson. Here, more than 90 paintings, prints, drawings, and photographs are reproduced, along with details and comparative illustrations.
Edited by Robert Storr.
Essays by Kirk Varnedoe and Deborah Wye.
Foreword by Glenn D. Lowry.
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