Making Music for the Joy Of It (Paperback)

by Stephanie Judy (Author) "Welcome! You've chosen a wonderful time to start making music!..." (more)
Key Phrases: conducted ensemble, amateur cellist, home with music, John Holt, Lynelle Inwood, British Columbia (more...)

Editorial Reviews

Product Description
Starting from the belief that we all have musical ability, Judy challenges popular assumptions about musicality and shows how to remove self-limiting beliefs and avoid frustrations as you discover and express the musician within, whether you want to play classical, jazz, pop, be-bob, old time, or new wave.

Product Details

• Paperback: 336 pages
• Publisher: Tarcher (October 1, 1990)
• Language: English
• ISBN-10: 0874775930
• ISBN-13: 978-0874775938
• Product Dimensions: 9 x 7.5 x 1 inches
• Shipping Weight: 1.5 pounds
• Average Customer Review: 4.8 out of 5 stars See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #156,746 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

54 of 56 people found the following review helpful:

5.0 out of 5 stars Life-changing for adult beginners AND veteran musicians, July 10, 2001

By	Melissa P. Cooper "kymissyin" (Indianapolis, IN) - See all my reviews (REAL NAME)

I've had this book for 10 years, and am just now reviewing it, partly because I feel that nothing I write will do it true justice. I do, however, want to add to the great comments here and to promote what Stephanie Judy has done. This book deserves about 5 million stars, if you ask me.

Before I talk about my own musical experience, I want to say something to those who had bad early experiences with music (usually at the hands of bad music TEACHERS). Many of us who were not natural athletes can remember the humiliation of being picked last for the team and then being assigned to the outfield because we weren't good enough for the real action on the diamond. What I didn't realize until reading this book is that there are many folks that experienced similar humiliation when it came to music--maybe being told to sing softer or worse yet, being told to just lip-sync. Now I know what to say to people who tell me, "I'd love to learn to sing or play and wish I'd taken lessons as a child." I ask them to share their experience with me, and then encourage them to get their hands on "Making Music for the Joy of It." If you are one of those folks who always wanted to "do something" with music--and one of your regrets in life is that you let an early experience such as that discourage you from ever trying again until now, don't live with that regret a minute longer. Hit the "purchase" button right now. (Gee, doesn't this sound like an infomercial??) Read the first few chapters and see if you're not encouraged to go for it again. I second the reviewer who said this is a must for teachers of adult students. In fact, they should buy copies for those students as a gift and a reference.

My own musical life has been a relatively easy one. I was a pretty good singer as a child and have played the piano for nearly 35 years. While I do have to practice and work at it to stay really good, it still feels very natural to me. I don't think of a house as being a home without a musical instrument in it. But in 1992, I was in a period of my life where I had spent several years doing music for "other people" more than myself--productions at church, playing for weddings, and most of the time it was stuff that other people picked out, not me--enjoying it less, and, not coincidentally, suffering from some aches and pains in the process. I was at a crossroads--not wanting to continue with music unless I could get some satisfaction out of it again. Call it God or serendipity, but at the low point of that time, I ran across this book, bought it, and my whole attitude about music became what it was when I was a child--pure fun and joy again. The suggestions on practicing, technique, improvisation, and especially the section on ensemble playing and dealing with the inevitable ego and morale issues therein really hit me. That whole concept of "release" and separating making music from "performance" was almost revolutionary--one I still use now when I'm playing songs of my own choosing, and as much as possible with music my director assigns me. I recently revisited them when I found myself drifting into feeling like I was just a pair of hands for a couple of groups I was accompanying. This summer, I've spoken up about what I need in order to continue working with them, keeping in mind what I'd read in the book, and things are much better. While I hope to take a partial break from music "for others" this fall, the music that I do contribute to my church will be much better and I think much more appreciated.

Adding to the excellent work she's done with the narrative is an extensive bibliography and thorough crediting of her sources when she mentions a technique, idea, or concept that was not hers originally. She makes some of the more scholarly work on musicology accessible and user-friendly. And the quotes are real gems--nothing but encouragement and hope, with a little humor thrown in now and then.

In short, this is one of the ten books I'd take to a desert island. Even if I were taking a break from music for a season, I would still want this book close by to ponder on for the time I returned to civilization and my piano.

Buy it now. You won't be sorry. . .

34 of 34 people found the following review helpful:

5.0 out of 5 stars At age 59 I finally quit saying it's too late., April 28, 1999

By A Customer

At age 59 I finally quit saying "It's too late to learn to play music!", I bought a tenor sax and started taking lessons. My teacher loaned me Ms. Judy's book and it provided hours of very enjoyable, inspiring reading. Anyone who is contemplating starting music lessons after denying themselves this pleasure for any length of time can greatly benefit from Stephanie Judy's well-written, inciteful book. I felt that she was talking to ME and encouraging me to continue with something I have been missing all of my life. The book is humourous and wise. It is more fun to read than many "best-seller" novels and is full of pertinent quotes from other musicians both amateur and professional. Try it - you'll like it.

56 of 62 people found the following review helpful:

5.0 out of 5 stars A comprehensive book for musicians of all levels., March 7, 2000

By	Janice Adelson (New York, New York USA) - See all my reviews

Having begun to study the classical piano in my 40s, I am now, 10 years later, playing for audiences and suffering stagefright. After reading many books on performance anxiety, I came upon Stephanie Judy's very practical "encyclopedia"; this book even has an index! Sparing the reader a great deal of "new age" mysticism, Ms. Judy, in a warm and clear tone, tackles every aspect of making music, from the point of view of both student and teacher. Although no amount of reading can make anxiety disappear without actual practice, this book discusses the problem at length as a normal aspect of studying and playing that can be resolved in a variety of innovative ways. Particularly valuable is the chapter on learning that treats the often delicate relationship between student and teacher. And then there is the whole subject of practicing -- when you want to; when you don't; and when your best efforts miss the end-result point. Stay with each page and don't miss the margin quotes, pearls of wisdom offered by musicians and teachers who are both famous and unknown, but who are all devoted to this most creative and satisfying endeavor.