Impro: Improvisation and the Theatre (Paperback)

~ (Author) "As I grew up, everything started getting grey and dull..." (more)
Key Phrases: status transactions, mask work, possession cults, Royal Court, Number Two, Number Four (more...)

Editorial Reviews

Review

Impro ought to be required reading not only for theatre people generally but also for teachers, educators, and students of all kinds and persuassions. Readers of this book are not going to agree with everything in it; but if they are not challenged by it, if they do not ultimately succumb to its wisdom and whimsicality, they are in a very sad state indeed . . . .Johnstone seeks to liberate the imagination, to cultivate in the adult the creative power of the child . . . .Deserves to be widely read and tested in the classroom and rehearsal hall . . .Full of excellent good sense, actual observations and inspired assetions.
–CHOICE: Books for College Libraries

Product Description

Impro ought to be required reading not only for theatre people generally but also for teachers, educators, and students of all kinds and persuasions. Readers of this book are not going to agree with everything in it; but if they are not challenged by it, if they do not ultimately succumb to its wisdom and whimsicality, they are in a very sad state indeed . . . .Johnstone seeks to liberate the imagination, to cultivate in the adult the creative power of the child . . . .Deserves to be widely read and tested in the classroom and rehearsal hall . . .Full of excellent good sense, actual observations and inspired assertions |o CHOICE: Books for College Libraries.

Product Details

• Paperback: 210 pages
• Publisher: Theatre Arts Book; 1 edition (January 7, 1987)
• Language: English
• ISBN-10: 0878301178
• ISBN-13: 978-0878301171
• Product Dimensions: 8.1 x 5.1 x 0.7 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (34 customer reviews)
• Amazon.com Sales Rank: #23,920 in Books (See Bestsellers in Books)

  Popular in this category: (What's this?)

  #11 in

  Books > Arts & Photography > Performing Arts > Theater > Acting & Auditioning

Customer Reviews

Most Helpful Customer Reviews

34 of 35 people found the following review helpful:

5.0 out of 5 stars Not a theatre book, but a teacher's manifesto, June 19, 2001

By	Algernon D'Ammassa (Los Angeles, CA United States) - See all my reviews (REAL NAME)

Keith Johnstone's book has influenced countless acting classes. Many artists who have not yet heard of this book are doing exercises based on his experiments in England with actors using improvisation to discover status operations within a scene, narrative structure, and the importance of structure and process over "content" (a sticking point for the improvisator, the public speaker, and everyone who has ever said, 'I can't think of anything.') It also provides one of the best short introductions to mask work around. So it might seem like an indispensable theatre book. And it is that. Indispensable.

Yet read Johnstone's first chapter - a memoir of his early teaching career, in which he discovered the process by which children learn to be uncreative as a tragic coping skill. This is not a theatre book. Theatre classes were the arena, but this is a book about teaching! This is about opening doors that have been slammed shut, and acquainting people with the creativity and exuberance that is everybody's birthright. The exercises, and analyses of his students' work with improvisation, along with Johnstone's unflagging faith in every person's imagination, have much to show us even on repeated readings and practice.

28 of 28 people found the following review helpful:

5.0 out of 5 stars Possibly the most important book in theatre education . . ., May 13, 1996

By A Customer

Keith Johnstone is a maverick educator and theatrical innovator. This book, first published in 1979, remains the most important book on improvisation written in English. Johnstone divides the world of improvising into four categories:Spontenaity, Narrative, Status and Masks. The stories about his own loss of creativity through the demands of public education set the frame for his illuminating description of what it takes to return us all to our creative selves. This book is a must read for anyone involved in the creative process, for all teachers of the arts and anyone who has ever wondered where his creativity has gone. Patricia Ryan, Head of Acting Stanford University

16 of 16 people found the following review helpful:

5.0 out of 5 stars The bible of creativity! Buy this book!, December 27, 2000

By	"sarahtacey" (Ingram, TX USA) - See all my reviews

This book is the absolute bible of improv and acting. Keith Johnstone takes you step by step through his approach to teaching. The exercises he uses really work to get our intellects out of the way of our creativity.

The section on status is extremely useful. As a testament, I used some of them in my beginning improv class and amazing things happened. The class understood and became more aware of how we use status in every moment of our lives. Scenes immediately became more interesting and real. I look forward to the mask activities. The only negative comment I can make is that a few of the exercises were not clearly explained. Johnstone's descriptions, at times, assume previous knowledge of the game being described. This is a book every actor and improver should read. It will expand your creativity and improve your physical awareness onstage. Enjoy it!