Review
"Indispensable for the actor, stimulating for the layman." --
The NationAnyone who attempts to train actors or to direct plays will find here a great mine of practical wisdom, all informed by Stanislavskis grasp of the art itself.
Francis Fergusson, Educational Theatre JournalIn (this book) Stanislavski, assuming the readers familiarity with the inner technique, proceeds to study costume and the wearing of costume, bodily movement, voice, speech and the use of language, and tempo and rhythm-- the more external but essential techniques whereby the actor learns to use his physical instrument . . . and he expounds them as only a master can; i.e., with the insight and authority of talent plus expeirence. Anyone who attempts to train actors or to direct plays will find here a great mine of practical wisdom.
Francis Fergusson, Education Theatre JournalIndispensable for the actor, stimulating for the layman.
The NationThe chapter on Diction and Singing offers an analysis of basic problems of singing that is unrivaled.
Musical America
Product Description
This is the second volume of Stanislaviski's enduring trilogy on the art of acting. The "System" which he describes is a means both of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination. It has become the central force determining almost every performance we see on stage or screen, and still remains today the only comprehensive theory of acting we possess.
In Building a Character Stanislavski discusses with mastery and insight the actor's physical means of expression for realizing character on stage, such as the use of body, movement, voice, tempo, expression, make-up and costume.
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