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25 of 27 people found the following review helpful:
4.0 out of 5 stars
Engaging but superficial bio of the greatest bassist ever, June 15, 1998
There is no doubt that Jaco was the baddest cat ever to sling an electric bass around his shoulder. The proof is in the pudding: check out any of his recordings, and you will hear a master of the groove like no other. Dazzling technique, yet so darned FUNKY! Having read biographies of Charlie Parker, I was struck by the similarities between the two who died far too young. Both lived to excess and died as a result of their debilitating addictions. And both turned the jazz world on its ear with their exhilharating innovations. I found this book to be pretty inspirational, at least in terms of Jaco's virtuosity. It is also an interesting tale about how NOT to live. Nevertheless, I found Milkowski's style to be to more like a lengthy DownBeat article than what one might expect in a 200+ page biography. I wish that he had probed Jaco's psychological problems more, offering some more in-depth analysis on what led him to such a self-destructive lifestyle. Rather, he spends little time on the precursors of Jaco's mental illness, and prefers to give anecdotes and concrete examples of his drug and alcohol problems. True, he goes into some explicit detail about Jaco's binges, but says far too little about Jaco's severely pathological narcissism, which seems to have fueled his frustrations. What led to Jaco's grandiosity? Truly, he had a world class personality disorder, yet Milkowski pretty much ignores this. Maybe I expect too much; Milkowski is a music writer, not a shrink, but when psychopathology is so extreme, I think a more analytical account is more than warranted. Maybe someone else will eventually tackle the psyche of who who Peter Erskine's psychiatrist father described to a fellow psychiatrist upon Jaco's stay at Bellevue, "the most challenging case you will ever see." But all that aside, the book is a quick and enjoyable read, and anything about Jaco is probably worthwhile.
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