Most Helpful Customer Reviews
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18 of 18 people found the following review helpful:
5.0 out of 5 stars
Positively absorbing, February 7, 2002
A bonus 11-track cd comes with this portrait of eighty-eight pioneers and players of jazz piano, from Jelly Roll Morton to Benny Green. Here are insights on lives, techniques, and changing perspectives on jazz piano styles and artistry, enhanced by the author's personal experience as a jazz pianist and his original interviews with many of the players. Avid fans of the genre will find The Giants Of Jazz Piano positively absorbing.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
A veritable encyclopedia of jazz piano, April 29, 2007
Raised in a Communist country, listening or playing jazz was forbidden. It was considered decadent. Yet, we craved it. So we would listen on short wave radio and hear with whatever Radio Free Europe or Voice of America would regale us. I tried to copy the great piano players the best I could, but not having the talent to emulate them, I rejoiced at listening to them. So, I have heard the music of Oscar Peterson, Art Tatum, Bill Evans, George Shearing, Erroll Garner, Dave Brubeck, Count Basie, Duke Ellington, Fats Waller, etc., but until I read this book I never heard of James P. Johnson, Mary Lou Williams, Sir Roland Hanna, Roger Kellaway, or Lennie Tristano. Clearly my loss. Of the 88 masters (one for each of the piano keys) I knew of no more than half, at best. The writing is erudite without being pompous and certainly very informative. Mr. Doerschuk is a pianist himself and it shows, as he gives us the unique insights of someone who is not only a music journalist, but also "tickles the ivories." As a result of reading this book, I have started listening to jazz piano music in both historical and social contexts. I am also learning to associate styles with groups of artists in ways that I could not, before reading this book. I like Mr. Doerschuk's organization and his titles for the various chapters such as "Deep in the Mainstream," "Back to the Fountain," "Improvisation as Revelation," since they provide yet another means for organizing jazz piano in one's mind. One can use this book as a permanent reference or just for the pleasure of reading it. I, for one, don't even bother putting in back on the shelf since it feels at home right in my hands as I am discovering "new" and old masters of jazz piano. This book is timeless, just like the marvelous musicians to whom it clearly pays homage.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
88 Masters of Jazz Piano, June 23, 2007
With a chapter each and running to 324 pages, this is one of the best books you can buy on Jazz Piano. The author Robert L Doerschuk is a Jazz pianist himself and writes with authority on his subjects.
Starting with Jelly Roll Morton, though stride (James P Johnson, Fats Waller), Mainstream (Errol Garner Oscar Peterson) and finishing with contemporary artists such as Brad Mehldau and Geoff Keezer all the artists are given a fair analysis. All the main players are covered: Tatum, Powell, Monk, Evans, Brubeck, Tristano, Hancock, Tyner, Jarrett etc.
What I like about this book is that its not all praise. Yes he likes these guys as musicians, but its an honest appraisal, so when he listens to a recording and hears flaws we're told.
For example when writing about Monty Alexander:
"then stumbles moments later with an awkard figuration that disrupts the momentum". Now in fairness to Monty Alexander most of this appraisal was as compared to Oscar Peterson at the height of his powers. But at least its honest and not just blind hero worshipping.
If you're buying this book it'll certainly help if you're a musician, but its not essential, and there is plenty of interesting material here for non-musicians as well. Most noteably a CD with 11 tracks including pianists such as Mary Lou Williams, Teddy Wilson, Earl Hines and Adam Makowicz.
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