From Publishers Weekly
This retelling of the Finnish epic Kalevala unfolds a search for true love against an elaborate blend of myth and sorcery. Vaino, born to the daughter of the air, is an old man when, via unorthodox procedures, he comes out of his mother's womb ("He turned the lock with his toe, slid the bolt with his finger, crawled through the door, and with his knees he pushed himself headlong into the ocean"). A storysinger with a talent for magic, he has only to sing his desires for them to be realized, and yet he is unable to convince young women of his charm. His first love leaps into the sea to avoid marriage to him, while the second demands seemingly impossible tasks before taking a blacksmith as her husband. Incorporated into Vaino's adventures are Finnish creation tales, legends about the origins of fire, iron and the wealth of Finland, until the narrative is a patchwork of stories. The text is overly complicated at first, but humor and vivacious language eventually assert themselves as it becomes clearer that Vaino's is a mystical, magical realm where anything might happen. Stylized gouaches in unusual shades capture both the comic and mythic undertones. All ages.
Copyright 1994 Reed Business Information, Inc.
From School Library Journal
Grade 3 Up-A retelling of the Finnish epic Kalevala, a sequence of folktales that Elias Lonnrot (1802-1884) combined into a poem full of transformations, magical objects, creation myths, and tall tales. The hero, Vainamoinen, whose origins and adventures the work chronicles, is a storysinger and a magician. He is not exactly a typical epic hero-he is old, and fights with wits and magic instead of a sword-but here he is portrayed as something of a buffoon, and it is hard to feel sympathy for him. In an unexpected and welcome twist of usual folkloric events, he meets his greatest defeats at the hands of women. The beginning of the book is likely to turn readers off-the writing is awkward, disjointed, and stiff. And while it is admirable to stay as true to the source as possible, some details may appear illogical and confusing to modern readers. Interest picks up once the story gets going, but the style is choppy throughout. There are some poetically beautiful sequences, and some sections are quite lively and irreverent, but others seem mundane. Brightly colored gouache-and-pencil illustrations, usually covering one or two pages, accompany each chapter. While they are representational, the compositions often create pleasing abstract designs. At times people are rendered clumsily; the picture of Death's daughter, however, is wonderfully gruesome. Since this title is likely to be of more interest to folklorists than to children, it is suggested only for those libraries with extensive collections.
Annette Curtis Klause, Montgomery County Department of Public Libraries, MDCopyright 1994 Reed Business Information, Inc.