Sword and Sorceress XVIII (Paperback)

~ Marion Zimmer Bradley (Editor)

Editorial Reviews

From Library Journal

In Diana Paxon's "Passage of Power," a young woman must seek the soul of her teacher in the spirit realm to prevent a misuse of power in the world of the living. Together with 19 other tales, this latest collection featuring women who excel in their talents for magic and war presents a varied and entertaining sampler of current fantasy storytelling. Though Bradley died before making her final selections, her prot?g? and editorial collaborator Elisabeth Waters (also a contributor) has brought her own expertise to this volume. For most fantasy collections.
Copyright 2001 Reed Business Information, Inc.

Product Description

Here are twenty all-new, all-original tales of strong, heroic women-female warriors and wizards brought vividly to life by acclaimed writers such as Diana L. Patson, Lawrence Watt-Evans, and many others.

THE BEST IN FANTASY SHORT STORIES. (Rave Reviews)

Product Details

• Paperback: 320 pages
• Publisher: DAW; 1St Edition edition (May 8, 2001)
• Language: English
• ISBN-10: 0886779960
• ISBN-13: 978-0886779962
• Product Dimensions: 6.7 x 4 x 0.9 inches
• Shipping Weight: 4 ounces
• Average Customer Review: 3.7 out of 5 stars  See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #1,559,236 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

8 of 10 people found the following review helpful:

5.0 out of 5 stars great anthology, April 29, 2001

By	Harriet Klausner - See all my reviews (#1 REVIEWER)    (REAL NAME)

This twenty-story anthology centers on "impossible tasks" and "invading armies" on an epic fantasy scale. However, the stories contain a bit of a twist as the plots star gender bender heroines not the usual heroes in a way that is like placing the women's NCAA tournament on center stage. Each story is well written and fans of fantasy will full relish the short story collection with some of the genre's better known authors contributing works.

Just before final editing and publication, the legendary Marion Zimmer Bradley passsed away. This reviewer feels that Ms Bradley is smiling as she reads her copy of this collection because she has to know that not only is the book quite good, but a fitting tribute to her as well.

Harriet Klausner

3 of 3 people found the following review helpful:

4.0 out of 5 stars Good, but not the best of the series by a long shot., October 17, 2001

By	James Yanni (Bellefontaine Neighbors, Mo. USA) - See all my reviews (REAL NAME)

The "Sword And Sorceress" series is a series of collections of short stories set in the "Sword and Sorcery" genre, except that in this series, all the protagonists are female. This is because, as Marion Zimmer Bradley has always explained in her introductions, historically in the "Sword and Sorcery" genre, the only female characters were "Bad conduct prizes" for the heros. This series as a whole is very good, although some volumes were stronger than others; I'm very fond of volumes 17, 16, and 15, as well as several of the earlier ones. This volume doesn't quite live up to the high standards of its three most recent predecessors, but it is probably as good as any volume in the series earlier than that.

There are only two stories in this volume that are continuations of the adventures of characters met in previous anthologies: "A Passage Of Power", a story of Diana Paxson's Bera, the Norse wisewoman, and "In The Sacred Places Of The Earth", about Dorothy Heydt's Cynthia, the Witch Of Syracuse. I will say that there were fewer typos and general copyediting mistakes in this book than there have been in some of the earlier ones; whether this was due to Elisabeth Waters paying more attention to such minutinae than Ms. Bradley did or not I can only guess. (Note to Rosemary Edghill, author of "Little Rogue Riding Hood", however: the singular of "staves" is not "stave", it is "staff".) My primary complaint about this book is that it seems to be awefully heavy on the "Sorcery", and awefully light on the "Sword"; I think that the aforementioned "Little Rogue Riding Hood" is the only true "swordswoman" story, with perhaps "Arms and the Woman" coming close. Almost all the rest center around mages of one stripe or another.

My second (minor) quibble is that "Raven Wings On The Snow", by Pauline Alama, while a well-written story, is really just a retelling of a fairy tale, something that Ms. Bradley had always maintained was not allowed, and while I know that she always said that any of her rules could be broken if the story was good enough, I didn't think that this one was; it was good, but not THAT exceptional.

I am told, (by someone who should know, one of the authors) that there are plans for two more "Sword and Sorceress" collections. Hopefully, that information is correct; I'll be looking foreward to them.

2 of 2 people found the following review helpful:

3.0 out of 5 stars 20 stories; official theme=Impossible Tasks, Invading Armies, March 9, 2003

By	Michele L. Worley (Kingdom of the Mouse, United States) - See all my reviews (TOP 500 REVIEWER)

Alama, Pauline J.: "Raven-Wings on the Snow" A dark variation on Andersen's "The Wild Swans", providing a vile motive for the king's desire for a daughter.

Combs, Jan: The bardic narrator and her juggler partner borrow "Kendat's Ax", the town relic, to deal with a none-too-bright ogre. (A good archer would have worked just as well.)

Corwin, Richard: "The Glass Sword" continues Corwin's storyline from S&S #4 and _Spells of Wonder_. Kali has asked a boon: a mortal lifetime before she must return to Nirvana to weave the spell that in time will end the new age now dawning.

Dougherty-Carthum, Kati: Queen Dylas' closest friend has tried to teach her to think straight under pressure (so summarized because the specifics of self-defense obviously aren't the title's "Lessons Learned"). Capture by bandits puts Dylas to the test.

Edghill, India: "Tiger's Eye" Ratrichaya has been imprisoned to serve as her brother's Pavilion witch, in this alternate India in the time of Alexander's attempted conquest.

Edghill, Rosemary: "Little Rogue Riding Hood" grew into the novel _The Warslayer_.

Heald, Denise Lopes: The narrator, unable to master her father's power stones to help in his war against the magickers, became a thief to seek "The Needed Stone" from their very fortress.

Heydt, Dorothy J.: Like Linville's "Light", "In the Sacred Places of the Earth" concerns a woman seeking to retrieve a loved one perceived as 'virtue walking' - here her husband - from death, although this story involves the Eleusinian mysteries of Greece rather than ancient Egypt, and a task for Cynthia rather than simple directions. See S&S #19 for more of Cynthia: "I have been an impious woman in my day, and done several goddesses an injury and well they deserved it." :)

Holman, Howard: "The Tower of Song", font of magic, tests candidates for the position of Royal Bard, but none have survived in over a century, and "the Darkness with its Dark Things" is coming. Sketchy world-building, real story is the unnecessarily secret nature of the test.

Johnson, Michael Chesley: King Brald suffers from a curse he can't break alone; none of "The Stone Wives" - his 31 previous brides, now part of an incomplete chess set - conceived even once within her allotted year. But Tiwa of Elaan (#32), despite her resentment of imprisonment, is also a sorceress.

Lee, Mary Soon: "The Fall of the Kingdom" had its genesis with the birth and death of children: the narrator, who nursed the White Lady (not explicitly identified as Guenevere) after her own infant son's death, and her Lady's neglect of duty after the loss of her own child at birth.

Linville, Susan Urbanek: Nekhti's elder sister Ameni was her "Light", but at 15 has been killed by a runaway cart in Abydos; Nekhti is determined to restore her to life, but doesn't know the cost. (Her journey isn't easy, but neither is it realistically difficult.)

Manison, Pete D.: "Magic Threads" Kyreen the Weaver produces magical garments for many occasions, frequently to reinforce various mental states in the wearer, from passion to confidence.

Paxson, Diana L.: "A Passage of Power" features the wisewoman Bera. Shaky start with a muddle of vision/dream and waking, not clearly relevant to the bulk of the story. Plot: Since Bera's old teacher is dying (Bera's coping) and Halvor is dead, Halvor's children by a thrall have no protection from his widow's malice.

Perkins, Gerald: "The Queen in Yellow" - Katane of the Finger Lands - faces a forced marriage to the son of a conquering mage-queen, who cast an enchantment that reflects any of Katane's own magic back at her. (Don't confuse with Robert Chambers' _The King in Yellow_.)

Schmeidler, Lucy Cohen: Gavriella won the "Sword of Peace" as part of her battle spoils: an enchanted sword that resists shedding blood, having a mind of its own.

Silverthorne, Lisa: Sauchony's the only warrior left in the temple while the other sisters are on retreat; having paid more attention to sword-wielding than prophecy, she wouldn't even have known that "Armageddon" was coming this weekend, when she's drawn temple fire duty. (Yelling to four horsemen riding up: "Wait! Apocalypse is the next village over!") :)

Smeds, Dave: "The Land of Graves" The sorceress Tecia's excavation isn't pure archaeology, but intended to restore an ancient water system and reclaim a stretch of swampland - very practical. When she's summoned to come *at once* to deal with a revenant released by a tomb robber, she does *not* charge off like a fool to deal with something that won't come out again until twilight. :) Excellent story.

Waters, Elisabeth: "Bed of Roses" (Waters also performed the final assembly on the entire anthology after MZB's death.) Rosa rejected her suitor Dathan to join the Order of the Holy City - a fighting order whose members always work in trios from the 3 faiths involved. Rosa and her superiors suspect Dathan of engineering the kidnapping of Rosa's little brother that he's offered to "help" her with for a night in her bed.

Watt-Evans, Lawrence: "Arms and the Woman" Siria is actually a camp-follower, who attached herself to the expedition against the Undead Lord since, after all, the prophecy's very clear how simple it is to send him back to the grave for another 400 years, so it shouldn't be too dangerous. But given that the Council nearly didn't send the expedition in time after too much politicking, would they have made *all* the arrangements properly?