Workers: An Archaeology of the Industrial Age (Hardcover)

by Sebastiao Salgado (Photographer)

Editorial Reviews

From Publishers Weekly
Even as machines, robots and computers replace workers, Salgado's powerful, striking photographs reveal the backbreaking and unrelenting toil that is still the lot of millions of men and women around the globe. Never preachy or didactic, these 350 duotone images of tea pickers in Rwanda, dam builders in India, steelworkers in France and Ukraine, sugarcane harvesters in Brazil, assembly-line workers in Russia and China, sulfur miners in Indonesia and others, pay tribute to working people who preserve their dignity in the harshest conditions. In the lyrical accompanying essay, Salgado ( An Uncertain Grace ) laments Japan's industrial fishing which decimates fish stocks, France's agricultural policies and the global exploitation of manual laborers who do the bulk of the world's work.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Salgado, an economist by training, documents the unforgettable faces of workers at their jobs around the world. His widely published images of the oil-field firefighters in Kuwait may be the most familiar to U.S. readers. The catalog for a traveling exhibition, this book is divided into six chapters--Agriculture, Food, Mining, Industry, Oil, and Construction--that show the basest realities of work in some of its uncountable forms, from fishing in Spain, to textile factories in Kazakhstan, Eurotunnel construction in France, a slaughterhouse in South Dakota, and gold miners in Brazil. The reader almost never sees a smiling face or evidence of job satisfaction. Instead, this is an iconography of wage-labor toil, alienation, and survival. The location and subject of each related group of images are announced in the table of contents; otherwise, one needs to consult a separate softbound booklet in a pocket in the back, which offers Salgado's facts and statistics about the particular natural resource, geographical area, and type of work pictured. The reproductions here are of superb quality. The winner of numerous international photography awards, Salgado ( An Uncertain Grace , LJ 2/1/91) has renewed the "concerned photographer" genre and produced one of the finest books of this decade. Essential for all art and photography collections.
- Kathleen Collins, New York Transit Museum Archives, Brooklyn
Copyright 1993 Reed Business Information, Inc.

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Product Details

• Hardcover: 400 pages
• Publisher: Aperture (June 15, 2005)
• Language: English
• ISBN-10: 089381525X
• ISBN-13: 978-0893815257
• Product Dimensions: 13 x 10.3 x 1.4 inches
• Shipping Weight: 6.8 pounds
• Average Customer Review: 4.7 out of 5 stars See all reviews (27 customer reviews)
• Amazon.com Sales Rank: #271,582 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars Stunning book, February 22, 2000

By	Gonzalo Garramuno (LA) - See all my reviews

This book is an astonishing document on both the talents of Sebastiao Salgado and the roughness of some of the worst professions in the world. The book was several years in the making and it shows. A lot of credit goes to Aperture for such a quality print. Your first impression will be of astonishment as you browse through the pictures of one of the top photographers of this century. Then, you'll want to read the small booklet that explains what each picture is. One day I hope someone will print a teaching book of photography with as good pictures as these, but with all the detailed information of how the picture was taken (film, camera, lens, exposure, # of photos discarded, date, time of day & latitude, time spent to take the picture, etc). If there's anything to critize in this book is that no technical information is given at all. But that was the point of it. It is an art book, not a didactic one.

9 of 10 people found the following review helpful:

5.0 out of 5 stars Workers: An Archaeology of the Industrial Age, June 16, 2004

By	Jason De los Reyes (San Diego, CA) - See all my reviews

At first glance this book is very intimidating by size. I was overwhelmed by the amount of photos Salgado took of his subjects, which in this book were the workers around the world. As I flipped through each page I began to think of rather than looking at a book of a photographer's work, it seemed as if I was looking at a photo album dedicated to hard laborers. Each photo is extremely vivid and beautifully shot. In addition, each photo gives the impression that Salgado puts thought and emotion before shooting his subjects. This is apparent by the many angles he shot his subjects and more importantly the extreme close-up shots he had. In many of his pictures Salgado appears to capture not just the action of the subject, but the emotion and story as well. You can't help but sympathize for each worker. Furthermore you start to realize how much the world depends on this type of labor in order to move forward. In a sense, this entire book give a view into all the hard work it takes to create all the luxuries we take granted for.

The entire book itself is very high quality. Each picture is printed clearly and at a large scale to show each detail of Salgado's work. It's also neatly organized rather than photos jumbled everywhere. Photos are separated by the location where they are shot. Moreover, aside from the large scale photos in this book which take an entire spread, there are some fold-out pages that contain smaller photos which give it that "photo album" feel.

This book is evidence of how great of a photographer Sebastiao Salgado is.

6 of 6 people found the following review helpful:

5.0 out of 5 stars Astonishing, October 22, 2001

By A Customer

These are some of the most powerful photographs ever made. They are at once disturbing, thought provoking and astonishingly beautiful. Salgado is a genius of the medium. He is one of the very few who has managed to elevate photography to a genuine art form. By comparison, the work of most other contemporary photographers seems like paint-by-numbers dreck.