The Christian Imagination: G.K. Chesterton on the Arts [ILLUSTRATED] (Paperback)

~ (Author) "Gilbert Keith Chesterton is widely recognized as a brilliant and entertaining Christian apologist and a fierce defender of the faith..." (more)
Key Phrases: New York, San Francisco, Ignatius Press (more...)

Editorial Reviews

From Publishers Weekly

Peters (Battling for the Modern Mind: A Beginner's Chesterton, 1994) has written a potentially timely book, but one which suffers from a plodding hand. Chesterton, writing from 1900 to 1936, ingeniously and hilariously engaged London's great literary figures and social politicians in "duels" over the state and truth of Christianity, moral relativism and scientific determinism. Peters attempts to explain how Chesterton's uniquely Christian imagination enhanced his arguments. Unfortunately, Peters opaquely imbeds his ideas in a list-like series of densely discussed philosophical, religious and aesthetic topics, barely connected by the words "artist" and "imagination." While Chesterton speaks of imagination in ordinary terms, Peters pontificates beyond, trying to show how "Christian" Chesterton and these concepts are by giving parallels from the Bible to which Chesterton never alludes. (For example, "childlike wonder" supposedly relates to Jesus' reference to "the nearness of the child to the kingdom of God.") In addition, Peters indiscriminately mixes quotations from Chesterton's pre-Christian and post-Christian works as if they were all written from a Christian perspective. Readers new to Chesterton will find this a boring, confusing book, uneasily dependent upon Peters's sometimes unconvincing explanations and almost unreadable in places. A better choice is Alzina Stone Dale's engaging, excellent The Art of G.K. Chesterton (1985), which delightfully combines a biography of Chesterton with an insightful treatise on his art. (Mar.)
Copyright 2000 Reed Business Information, Inc.

Review

Most people know G. K. Chesterton as an apologist for classical Christianity. But he also loved the arts. In "The Christian Imagination," Thomas Peters shows that Chesterton believed that God delighted in Creation, and so should we--an argument that did not always sit well with some of Chesterton's co-religionists, who were more interested in retreating from the world than in writing poetry that celebrated earthly beauty. In this slender volume, Peters analyzes Chesterton's songs, poems, illustrations, nonfiction, and novels. Those who have read only Chesterton's famous "Orthodoxy" may well decide, by the time they finish "The Christian Imagination," to delve into his less famous, but no less rich and rewarding, works. -- From Beliefnet

Product Details

• Paperback: 157 pages
• Publisher: Ignatius Press; illustrated edition edition (March 2000)
• Language: English
• ISBN-10: 0898707579
• ISBN-13: 978-0898707571
• Product Dimensions: 7.9 x 5.2 x 0.5 inches
• Shipping Weight: 8 ounces
• Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
• Amazon.com Sales Rank: #811,777 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

19 of 19 people found the following review helpful:

5.0 out of 5 stars An essential intro to a great writer, March 27, 2000

By	GimmeSomeD (boston, ma) - See all my reviews

Mr. Peters has done a great job at presenting the essence of the creative Chesterton in this short but fulfilling book. While much certainly has been written on Chesterton's brilliant reasoning or his political philosophies, at the root of his thinking was the simple idea that God saw creation as a pleasing thing, and so should we. Chesterton brought not only his firmly-rooted faith, but also a child-like wonder and a fantastic imagination to everything he wrote about, from sociology to satire. Peters' book is a satisfying primer on this idea, and it draws from a diversity of material. Each chapter gives a brief, but not abstract, summary of an aspect of Chesterton or his work. One, for instance, gives an overview of GKC's forays into songwriting, drama and illustration, while another outlines his views on art critics and "bohemians" -- people who Chesterton saw as possessing a distinct lack of imagination. The last chapter serves as an overview of Chesterton's writing career. The book is not exhaustive by any means, but it is complete. Artists and writers will appreciate this book, and I would especially recommend it to those relatively new to Chesterton, as you will find it to be a valuable and informative introduction, as well as an enjoyable read.

17 of 18 people found the following review helpful:

5.0 out of 5 stars An excellent overview of GKC on the arts, May 18, 2000

By	Sheila L. Beaumont (South Pasadena, CA USA) - See all my reviews (REAL NAME)

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Thomas Peters does an excellent job of presenting G.K. Chesterton's thoughts and observations on imagination and the arts. This book is a wonderful and much needed antidote to today's cultural climate, in which the arts establishment seems to value ugliness and outrageousness above all. Here are a few of GKC's countercultural opinions: Fashionable nihilism and pessimism are among the greatest threats to the free and fruitful imagination; humility and wonder enhance creativity, while pride inhibits it; good poetry has rhyme and rhythm; there's nothing wrong with beauty in art; a play should be a treat for the audience, not a realistic slice-of-life; it is not a legitimate use of the arts to make people either bad or unhappy; the "higher frivolity" is better than the "higher criticism" and other pretensions. You'll find all this and more in this well-written book, which includes many quotations (and a few drawings) from GKC himself. And it's all at least as relevant today as it was in Chesterton's time.

4 of 4 people found the following review helpful:

4.0 out of 5 stars The Topsy Turvy Giant, February 5, 2003

By	Barry E. DeWalt (Redding, CA USA) - See all my reviews

Any fan of G.K. Chesterton would enjoy Peters' synopsis of the Topsy Turvy Giant's thoughts on the arts. Peters provides an excellent synopsis of the subject. His most admirable quality in writing this book is allowing Chesterton to speak for himself.

Peters hit the nail on the head in summarizing Chesterton's opinion of art and how it uniquely qualifies man as children of God. Chesterton argued that the arts show the difference between men and animals to be qualitative and not quantative. A man does not paint more than a monkey! He paints!

Peters accurately states that "in Chesterton's view, the arts are the very essence of humanity, the very thing that differentiates the human from the nonhuman, in that sense the very breath of life from God."

If you have never read Chesterton before, I recommend that you start with Orthodoxy, Everlasting Man or Heretics. Once you get one or more of these under your belt you will not only understand what Peters is getting at, but you will also have a greater desire to find out just what Chersterton had to say on the subject, why it is important to man, and what significance it has for the Christian.

To that end, I recommend this as your second or third Chesterton book. Happy reading!