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15 of 15 people found the following review helpful:
5.0 out of 5 stars
Should not be missed., March 25, 2002
Unrequited love and youthful death are the author's recurrent themes. Always forthright and devoid of the esoteric and modernistic qualities of more revered poets, Housman's work, though imbued with a pronounced melancholy, is never strident or sanctimonious. It is through the symmetry of theme that Housman achieves the solemnity which lends these justly celebrated poems their stature.I feel that any discussion of A. E. Housman's poetry should first acknowledge that he was never a poet in the same sense as Whitman, Auden or Ginsberg. he was first, and foremost, a scholar, the Chair of Latin at Cambridge and an academic legend. Thus it seems churlish for his detractors to take the rather meagre amount of poetry he produced and deride it for it's lack of thematic multiplicity. A closeted homosexual, Housman's poetry is perhaps most distinctive for it allusive qualities. One revels in the allegorical poem XVIII from Additional Poems: "Oh they're taking him to prison for the colour of his hair." Perhaps my favorite in this collection full of favorites is XXXI from More Poems: "Because I liked you better Than suits a man to say, It irked you, and I promised To throw the thought away. To put the world between us We parted, stiff and dry; 'Good-bye', said you, 'forget me.' 'I will, no fear' said I. If here, where clover whitens The dead man's knoll, you pass, And no tall flower to meet you Starts in the trefoiled grass, Halt by the headstone naming The heart no longer stirred, And say the lad that loved you Was one that kept his word." Haunting. First rate. A masterful collection.
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