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Words of Farewell: Stories by Korean Women Writers (DEL-Anthologies)
 
 

Words of Farewell: Stories by Korean Women Writers (DEL-Anthologies) (Paperback)

~ Sok-Kyong Chi-Won & Chong-Hui (Author) "A SPRING SCENE of an ancient palace with forsythias in full bloom had replaced the mountain villa with smoke coming from its stone chimney; and..." (more)
Key Phrases: permanent resident card, scarlet sages, barley tea, Monkey House, Vernal Stream, Chrysanthemum Room (more...)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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  Hardcover, September 30, 1989 -- -- $10.75
  Paperback, January 26, 1993 $14.21 $5.39 $1.00

Frequently Bought Together

Words of Farewell: Stories by Korean Women Writers (DEL-Anthologies) + Land of Exile: Contemporary Korean Fiction (Unesco Collection of Representative Works) + Modern Korean Fiction: An Anthology
Price For All Three: $116.66

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  • This item: Words of Farewell: Stories by Korean Women Writers (DEL-Anthologies) by Sk-kyng Kang

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Editorial Reviews

From Publishers Weekly

The seven works here, whose three authors make their U.S. debut, are interesting primarily for their illumination of contemporary South Korean mores. In Kim Chi-won's "A Certain Beginning," a Korean who moves to New York after her affluent husband divorces her enters into a contract marriage with a young Korean student who needs a green card to stay in America; their tentative encounters reveal not only their individual psychologies but Korean attitudes toward love and matrimony. In the title piece, by O Chong-hui, a woman takes her daughter and young grandson on a day trip to a cemetery to view the plots she has selected; in a parallel narrative, the ghostly presence of the daughter's fugitive husband supplies an unexpected tension. While Kim Chi-won and O Chong-hui both depict intense loneliness and pent-up emotions, Kang Sok-kyong's novella "A Room in the Woods," less compelling than the other entries, relies on external events to build drama; she chronicles a well-to-do Seoul family whose experiences do not seem particular to their culture--one daughter is on the verge of marrying while another drops out of college.
Copyright 1989 Reed Business Information, Inc.


Language Notes

Text: English, Korean (translation)

Product Details

  • Paperback: 294 pages
  • Publisher: Seal Press (January 27, 1993)
  • Language: English
  • ISBN-10: 0931188768
  • ISBN-13: 978-0931188763
  • Product Dimensions: 8.2 x 5.3 x 1 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #359,537 in Books (See Bestsellers in Books)

More About the Author

Sk-kyng Kang
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Inside This Book (learn more)
First Sentence:
A SPRING SCENE of an ancient palace with forsythias in full bloom had replaced the mountain villa with smoke coming from its stone chimney; and so winter was torn from the calendar on the wall in the corner. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
permanent resident card, scarlet sages, barley tea
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Monkey House, Vernal Stream, Chrysanthemum Room, French Department, Icy Road
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
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Customer Reviews

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Depicts the social issues conflicting many younger Koreans, May 11, 1999
By A Customer
In Kang Sok-Kyong's short story, Days and Dreams, she is able to delineate an entirely new society that exists within Korea. A society that formed as a result of blatant geopolitical decisions imposed by a foreign country. She describes the lifestyle and culture of the female Korean prostitute communities that have developed around American military bases. Kang accurately depicts the nothingness that many of these women, such as the main character have come from, and the equally poor and yet more dehumanizing lifestyle they live out now. The narrator of the story came from a family ravaged by the war and ironically makes a living now by exploiting herself to these soldiers, apparently keeping peace and security for her country. Yet for many of these women in the story, that individual sense of security is what is lacking from many of their lives. Even one of the characters, Sun-ja goes to extreme circumstances to pose as a lesbian just to marry an American woman to relieve herself of her the situation she was currently in. Kang accurately describes the inhumane treatment that many of these women are put up, sometimes even by their own family members in order to pay a sibling's tuition or something of the sort. The narrator describes the tragic rape and murder of a friend who was killed by a Korean man. When upon asking what his motives were in the killing, he simply said that "she'd lived it up with the GIs and then give him leftover sex." All she essentially gave him was some leftovers by foreigners. Kang basically centralizes her story on the notion of Korea, being a country dependent upon "living off other countries' leftovers." And ultimately the lifestyle's that many of these women lived was to sustain themselves economically, while in the meantime exploiting their bodies in order to fulfill this requirement. Meanwhile the foreigners there, such as Overton, the playmate of the narrator, was a womanizer and philanderer, and at the same time was apparently married back in the US. Kang is able to bring to the reader the harsh rituals that many of these women must endure in order prevent themselves from becoming fully impoverished, but in the meantime, selling their souls out to the hearts of the foreigners. In Kang's novella, A Room in the Woods, she is able to depict a modern day Korean family influenced by neo-Confucian doctrine, yet each individually upholding different social values and had different notions of thought of their roles within society. The story focuses on the differing behavior of three daughters within the household of a clearly patriarchal family. The father is a successful businessman with an educated and intelligent wife who acts as homemaker. They have four children, the three daughters, and the youngest being a son, who is never mentioned, but as a signification favor he must endure being the only male child, and also the youngest. Amongst the three daughters, the older, the narrator of the story is the typical Korean woman. She graduated majoring in piano, plans to get married and not even work, yet she seems practical enough to always be looking after herself and her sister. Hye-Yang, the next eldest sister is the proverbial daughter, studying to go to medical school, she is smart and intelligent. The youngest of the daughters is So-Yang, the street-savvy and rebellious daughter who had just dropped out of college, she was sick of Korean standards of social qualms and was never afraid to speak against Korean society. Since the story focuses on the whereabouts and concern of So-Yang, since we she has left college, Kang muddles the reader with excerpts from her diary that her oldest sister falls upon. We learn through her diary of the possibility that she could be a manic-depressive. She also seems slightly suicidal, yet what seems to worry her sister the most is her tenacity at being sexually active and possibly promiscuous. Unlike the situation of the women in Days and Dreams, So-Yang uses sex as an instrument to her advantage, not as a means of economic power. Sex for her is a means of empowering herself, since she seems to have nothing else to fallback on. Yet she isn't the conventional Korean daughter, a product of a middle-class family. She is an active social demonstrator, smokes blatantly outside in public, serves as a hostess in a bar, but all the while does not submit to the languid and crass behavior to the men she encounters. She quits her job out of disgust when a man tips her down her shirt. What also complicated her situation were the stark differences she had with her father, a man clearly dependent upon Confucian thought and traditional behavior of the family. Her failure to enroll in college as well as her nightly prowling and partying enraged her father who out of frustration became abusive. Meanwhile her mother played the role of the silent, submissive type well by not being active in disciplining her children, but merely watching her husband do it all. Kang describes these tensions that assumably are evident in many Korean households as a potentially dangerous environment in which an outcome may be similar to that of the So-Yang's.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars Thoughtful and Potent For Those Who Have Experienced Korea, November 10, 1997
Having spent 1988-1993 in Korea with IBM, I began the collection of short stories with a strong cultural understanding. The stories vary from prostitution and the US Military (rate 5) to the very well crafted "A Room In The Woods" (definite 10) which uncovers the generation gap in modern Korea. "A Room In The Woods" is well worth the price of the book. A must for those interested in Korean culture.
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