Most Helpful Customer Reviews
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10 of 10 people found the following review helpful:
3.0 out of 5 stars
The taste of midnight, October 30, 2000
This remarkable novel is about a runaway slavegirl in the 1850s who is befriended by 2 enigmatic women who run a brothel. The two women help the girl and make her like themselves, as vampires. The girl takes the name Gilda (from one of the two) and spends the next 200 years searching for a place to call home, for love, and for greater meaning in the world. Gomez has created an amazing tale that is utterly intriguing. I wanted to love it more, but sometimes the story almost worked against itself by moving too quickly from time period to time period without giving us (and Gilda) a chance to really connect. I heartily recommend this book because of the many thought-provoking points Gomez introduces. It's quite a tasty story.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Race, Gender, Class, Sexuality, and Family Values, June 25, 1998
Definitely kinder, gentler vampires than vampire fans may be used to, and that's a wonderful recommendation in itself. In addition, the politics of race, gender, class, and sexuality abound. Black women's communities, women and work, lesbianism and women's friendships, black activism, and vampire subculture-as-gay/lesbian subculture are all parts of the impressive multicultural politics of this book. It's a great read, as well. My only critique is of what I consider its ultimate political statement as the novel ends: "family is the most important thing" (over work, politics, etc.). Though the novel redefines family in progressive ways, the emphasis on family is still a tad too conservative for me. However, this may also be a reflection of my personal jewish (middle-class) feminist politics meeting a form of black feminist politics and colliding a bit based upon race and class difference. Buy this compelling and important book and read it, then judge for yourself.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
An intense and moving vampire tale, November 30, 2001
Jewelle Gomez departs from the usual vampire scenario, first because her vampire heroines are almost all female, and second because they are a truly diverse group. Instead of following the Euro-focused trend set by most vampire story authors (from Laurell Hamilton to Brian Lumley), Gomez crafts a believable multiracial and multicultural vampire tradition, embracing a gritty kind of realism and a compelling spiritual focus. The story begins like an historical novel, recreating the antebellum South, and moves through the present and into the far future, as befits a tale of immortals. One of the most interesting themes in the book is the gradual distancing of the immortal from strictly human concerns, and the necessity of maintaining one's connection with the emotions of hope, love, and compassion. This is an excellent read and highly recommended for those tired of vampire melodrama.
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