Meta-Hodos and Meta Meta-Hodos: A Phenomenology of 20th Century Musical Materials and an Approach to the Study of Form by James Tenney
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Inside This Book Citations: This book cites 29 books Explore: Citations | Books on Related Topics | Concordance | Text Stats Key Phrases - SIPs: simultaneous dyads, entitive sense, dissonant status, dissonant dyad, simultaneous aggregates (more) Key Phrases - CAPs: New York, John of Garland, Oxford University Press, Richard Crocker, Vincenzo Galilei (more) Browse Sample Pages: Front Cover | Copyright | Table of Contents | Excerpt | Back Cover | Surprise Me! |
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Inside This Book
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First Sentence:
In most pre-9th-century theoretical sources, the cognates of consonance and dissonance-or of related words like concord and discord, symphony and diaphony, and even our more general term harmony-refer neither to the sonorous qualities of simultaneous tones nor to their functional characteristics in a musical context but rather to some more abstract (and yet perhaps more basic) sense of relatedness between sounds which-though it might determine in certain ways their effects in a piece of music-is logically antecedent to these effects. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
simultaneous dyads, entitive sense, dissonant status, dissonant dyad, simultaneous aggregates, sonorous character, words consonance, harmonic root, beat theory, polyphonic practice, imperfect consonances, given dyad, sonorous quality, perfect chord, dissonant note, harmonic practice, upper partials, dissonant interval, double octave, musical perception, fundamental sound, critical band, upper note Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, John of Garland, Oxford University Press, Richard Crocker, Vincenzo Galilei, Franco of Cologne, Source Readings, Colorado College Music Press, Colorado Springs, Gustave Reese, Jean-Philippe Rameau, Joel Lester, Journal of the American Musicological Society, Pietro Aaron, Theon of Smyrna, Claude Palisca, Johannes Lippius, Journal of Music Theory, Norman Cazden, American Institute of Musicology, Benito Rivera, Dom Anselm Hughes, Georg Olms, Knud Jeppesen, Middle Ages New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover | Surprise Me!
In most pre-9th-century theoretical sources, the cognates of consonance and dissonance-or of related words like concord and discord, symphony and diaphony, and even our more general term harmony-refer neither to the sonorous qualities of simultaneous tones nor to their functional characteristics in a musical context but rather to some more abstract (and yet perhaps more basic) sense of relatedness between sounds which-though it might determine in certain ways their effects in a piece of music-is logically antecedent to these effects. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
simultaneous dyads, entitive sense, dissonant status, dissonant dyad, simultaneous aggregates, sonorous character, words consonance, harmonic root, beat theory, polyphonic practice, imperfect consonances, given dyad, sonorous quality, perfect chord, dissonant note, harmonic practice, upper partials, dissonant interval, double octave, musical perception, fundamental sound, critical band, upper note Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, John of Garland, Oxford University Press, Richard Crocker, Vincenzo Galilei, Franco of Cologne, Source Readings, Colorado College Music Press, Colorado Springs, Gustave Reese, Jean-Philippe Rameau, Joel Lester, Journal of the American Musicological Society, Pietro Aaron, Theon of Smyrna, Claude Palisca, Johannes Lippius, Journal of Music Theory, Norman Cazden, American Institute of Musicology, Benito Rivera, Dom Anselm Hughes, Georg Olms, Knud Jeppesen, Middle Ages New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover | Surprise Me!
Citations (learn more)
This book cites 29
books:
See all 29 books this book cites
- Treatise on Harmony by Jean-Philippe Rameau on 7 pages
- Istitutioni Harmoniche (Music Theory Transport) by Gioseffo Zarlino on 5 pages
- The Style of Palestrina and the Dissonance (Dover Books on Music) by Knud Jeppesen on 5 pages
- Art Of Counterpoint by Johannes Tinctoris on 4 pages
- Dictionary of Music (Da Capo Press music reprint series) by Hugo Riemann on page 67, and Back Matter
See all 29 books this book cites
