Amazon.com Review
Like the photos of crosses in this abundant collection, author and photographer Kelly Klein manages to illuminate the intersection of two edges. On one edge, she brings forth reverence for this ancient symbol of Christian devotion and sacrifice. On the other edge she dares to dally in irreverence, not allowing her vision to be muddied with Christian dogma, etiquette, or protocol. As a result, she presents the cross within a telephone pole as respectfully as she captures the cross that dangles from a nun's habit. In a stunning piece of double photography, we see Malcolm X's FBI file overlaid across his mug shot. Blend the two images together and there's a cross stamped across his heart like an ominous target.
While conservative Christians will no doubt find some of the images offensive, most viewers will find them simultaneously beautiful and unsettling. In fact, the cross is meant to be a symbol of contradiction, notes Kelly Klein in her introduction. "Even within Christianity it is paradoxical: an image transformed from an instrument of torture and death into a symbol of hope, life and love." --Gail Hudson
From Booklist
Photographer and fashion designer Klein's eye for the fetching image is good and intelligent. The photographs in this thematic album, most of them printed to fill an entire 10-by-12-inch page or two, seem selected for beauty's sake and to emphasize the cross as both form and religious symbol. The cross is implicit in the human body: stand with feet together and arms at right angles to the torso, and you are a cross. Time and again, that physical fact invests a particular photo with meaning. A bare-chested young man pulls a leather helmet over his head; a cross of light glimmering through the mask's nose aperture is echoed by the youth's upper arms and torso and, hovering over his apparently purposive gaze, conjures the militancy of a crusader. Virtually every picture, black-and-white or color, fashion photo or documentary snapshot, is as dramatically suggestive, though often more subtly, and as ponderable. This is photography as theology. Ray Olson
Copyright © American Library Association. All rights reserved
See all Editorial Reviews