Fretboard Logic SE: The Reasoning Behind the Guitar's Unique Tuning + Chords Scales and Arpeggios Complete (The Fretboard Logic Guitar Method Volumes I and II) (Fretboard Logic Guitar Method Ser) (Paperback)

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Key Phrases: scale form, chord form, major seventh, Lead Pattern, Form Nucleus, Form Barred (more...)

Editorial Reviews

Review

"You're going to change the way the guitar is taught forever." -- Rich DiBiase Bristol CT

"You've changed my world and you're going to change other's worlds and the way they look at the instrument." -- John Gilmore Osawatomise KS

Brilliant. -- John Holly Denver CO

Fretboard Logic is The Best!! -- C.J. Hamwyk Delft Netherlands

I cant express the excitement I feel as I am getting to understand the guitar fretboard in a very real sense. My musical goals are now within reach and I have a way of getting there. At some point, while working through the second book, I will start putting together chord solos and working on finding a voice and style of my own... I decided to learn everything you offer in your books. Everything in your books has a useful purpose and I thank you for it. The comments from other customers in your books are NOT an exaggeration, they are right on target. -- Tony Beltram Columbus Hts. MN

I just received your books, and I want you to know they are intensely appreciated. Ive been playing almost 30 years, and Ive got all kinds of books and videos, but these books mean more to me than all that other [expletive deleted]. Ive had teachers but I learn best on my own. Have you studied systems analysis? Im a scientist and these books are presented in a way that I would have if I knew the material. I wish Id had these 15 years ago when my fingers werent so stiff. Why arent these books in every music store in America? -- Michael Fitzgerald Waukeegan IL

I see the greatness of these books and I understand what you are doing. And I thank you. Its a good thing you're doing. -- Bob Savage, Friendsville MD

I thought Volume I was excellent. It fills in gaps in my fretboard knowledge. I wish I'd had this 25 years ago. -- David Tyra Terre Haute IN

I would like to say that I've spent more money on guitar lesson books than I have on all my guitar equipment put together. If FRETBOARD LOGIC and FRETBOARD LOGIC II were available when I first started playing guitar I would have saved a lot of money. FRETBOARD LOGIC and FRETBOARD LOGIC II are the best instruction books I own, they are very easy to understand and very well put together. I would recommend these books to everybody from beginner to advanced players. -- Scott Spaulding Virginia Beach VA

The claims were outrageous, the quotes unbelievable and I thought it just can't be that simple. Now I am feeling sorry for anyone who hasn't gotten your books. They honestly advanced me years beyond where I'm at. Thank you. P.S. Why doesn't everyone know about this? -- Rev. Garth Heckman Madison WI

Product Description

The Special Edition is the first two volumes of the Fretboard Logic guitar series combined with a special discount. Part One deals with the pattern organization of the fretboard which results from the guitar's unique tuning system. Part Two teaches the tone groups of music - Chords, Scales and Arpeggios - by building them in the context of this pattern organization, and thereby eliminating the usual guesswork and rote memorization associated with these areas of a guitarist's education. This alone can take years off the learning curve. Combined, the two parts form a solid foundation by which a guitarist can intelligently pursue the music styles of their own choosing, and play them on the guitar types which they prefer.

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Product Details

• Paperback: 106 pages
• Publisher: Bill Edwards Publishing; 1 edition (July 1, 1997)
• Language: English
• ISBN-10: 0962477060
• ISBN-13: 978-0962477065
• Product Dimensions: 13.4 x 8.3 x 0.3 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (108 customer reviews)
• Amazon.com Sales Rank: #16,918 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

298 of 308 people found the following review helpful:

5.0 out of 5 stars A must-own for every guitarist, April 28, 2000

By	David Field (Merrimac, MA USA) - See all my reviews (REAL NAME)

Learning guitar is an odd process. You're supposed to practice, practice, practice. You learn chord shapes. You have lessons. You dissect solos note by note. There appears to be no master plan. Somehow, through a variety of methods, you're supposed to learn. Eventually, you're assured, by some means you're not aware of yet (osmosis?), you'll "get it."

This book is the "it" you're supposed to get.

Far too many books assume that the common methods work. Many an aspiring student has put the guitar in the closet in frustration at something that doesn't address the basic question - What note do I play next?

Bill Edwards has taken the idea of positional relationships to its highest point. If I play a C chord with a barre at the eighth fret, where will I find a convenient F and G position? What shape will I need to play, and what fret should I start from?

This seems to me to be a basic question yet it hardly gets a mention in most books. It seems that if you practice long enough and don't get bored to death, you'll know this.

Bill Edwards shows that the five major chord shapes (C, A, G, E, and D) follow as you move up the fretboard, so you quickly learn that if you're playing a certain shape at a certain fret, the chords you're going to need will be in a specific other shape a specific number of frets away.

This is independent of what key you're playing in, so if you start a 12-bar blues with a A-shape, you can drop down a couple of frets and play an E-shape for the next chord.

I've made it sound far more complex than it is. You'll need the book - make no mistake - and in just a few hours you'll have learned a huge amount of useful stuff.

But this is just the first seventeen of over a hundred pages. The idea of positional relationships is used to describe scales and then the pentatonic blues scale, so you can build solos and know immediately where the next notes are.

Fretboard Logic pulls all the useful stuff from other learning methods together. It shows you *why* you play the notes you do.

I was suspicious of the other reviews here (mainly reprinted from the book's cover), because they sounded so good they couldn't be true. Then I saw the book recommended on the Fender Forum, so I decided to take a chance.

Yeah, you still have to practice. Your fingers won't get supple until you do. But imagine practicing where you're constantly trying something new, and where the musical inspiration flows. That's what you'll get if you study Fretboard Logic.

164 of 178 people found the following review helpful:

5.0 out of 5 stars Like a Rosetta stone for the guitar., November 8, 2000

By	David J. Brown "djbrown" (Colorado Springs, CO United States) - See all my reviews (REAL NAME)

Fretboard Logic SE is a great book that manages to distill a vast amount of information into a very concise and usable form. In a way, it's like a Rosetta Stone for the guitar. As I read the book, I "felt the light go on" over and over as bits and pieces I'd picked up over the years clicked into place and I began to understand how they related together.

It covers a method called the CAGED system, which uses barre forms of the C, A, G, E, and D chords (thus the name). These chords are movable as a block to anywhere on the neck, the benefit being that you always know how to find a chord near where your hand is currently on the neck.

Building on the CAGED system are various major and pentatonic scale forms, so that you can easily play runs - which are the basis for solo, riffs and improvising.

It gives sensible explanations of music theory and how it pertains to playing the guitar. Building upon this he shows how to form the common chord types - (major, minor, sevenths, etc) in any key.

It's opened up the guitar for me. I've only been playing my acoustic guitar a couple months, and I can sit and watch a guitarist on TV now and understand what I see him doing. I may see his hand on the fretboard and notice that his hand is making an E form, moved to the 8th fret. Sometimes I can make out that it's a 7th by hearing it. That's something I can reproduce immediately or later. Or I can (slowly) improvise along with a song I hear by using the pentatonic scales I've learned. I can hear and see the chord progressions from I to IV to V and back.

You'll still need lots of practice to toughen and strengthen your fingers and hands and to make them quick and limber, but Fretboard Logic SE is a great book to start with or to brush up with if your more advanced. It will save you a great deal of frustration and make your learning quicker and more productive.

62 of 64 people found the following review helpful:

5.0 out of 5 stars The best guitar book ever published., June 6, 2002

By	"hondo111" (Dallas, Texas United States) - See all my reviews

I have been playing the guitar for two years now and thought I was making good progress until I tried to play with other experienced guitar players. I realized that I had a long way to go about mastering the guitar. Rather than really learning the guitar, I was just practicing songs and thinking real progress was being made. Promptly after my failed attempt of playing with my experienced friends, I bought this book and the light came on. I mean, it was like an explosion that lifted me to an entirely different level. I have never learned so much from any book Ive ever read - and Ive read a lot of books. All of the others are difficult to follow and assume that the reader is familiar with profound guitar theory knowledge. Edwards, on the other hand, takes all of the confusion and hones in on the most fundamental aspects of the guitar. The CAGED method is absolutely the best way to learn the guitar. If you follow this book from page one and really work on it, you will begin to notice drastic improvements and everything will begin to make sense - I mean, you will have an epiphany one day and say, "I've got it!" I have never written a review for a book until now - this is how strongly I feel about the knowledge you will take away from this book. Best guitar book ever published.