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21 of 23 people found the following review helpful:
5.0 out of 5 stars
Complete & Comprehensive for Your Beginning, December 1, 2000
I am an Orthopedic Surgeon and my wife is an RN who specializes in operating room procedures. My first experience with the book Quickstart to Social Dancing came in 1997 with the first edition that I understand has since sold out. We were getting married at that time and were faced with the scary prospects of having to dance at our wedding! A Sunday dance class was publicized through our hospital offered that suited our schedules - we jumped at the chance. The teacher (a well known professional) did something that was very interesting, he distributed copies of Quickstart to Social Dancing to all our new classmates. We were told that just like our schooling, "We would have a teacher and a text book." In addition he said, "You will soon find that learning to social dance and partner each other is generally an awakening because of its many misconceptions and fears. Mr. Allen does the very best job of dispelling these fears and presents a simple, concise, and cumulative approach to social dancing in his book that has previously been written!" It is my intention here to echo these statements! We return to this website from time to time to order this and his other books both as gifts for my friends and for ourselves. This time we were going to order his book, Quickstart to Tango. We already own Quickstart to Swing and agree with those who have heralded this book as the most comprehensive book ever written about Swing dancing. Quickstart to Social Dancing in it of itself, will definitely provide the most basic of dance choreography to allow for the beginner to learn by themselves - I have no doubt of this!! No couple, ENGAGED to be married, should be without this text! It is a great resource for wedding dancing but more importantly a complete resource for simple and wonderful dancing with a partner with the basics in the six major dances. We continue with dance lessons since our fearful beginning and understand more fully with admiration for Mr. Allen as to the choice of the choreography used in this primer. An example is the Foxtrot. In some texts, for example "Shall We Dance," by Manine Rosa Golden a step known to me as the progressive basic is used as its Foxtrot fundamental leaving the beginner at a total loss for turning corners and proceeding around the dance floor. To make these much needed change of directions the new dancer needs at least two or three more step patterns necessitating much more explanation. The idea of simplicity therefore goes right out the window! The development of the box step and then at the end of the book in the section called, "Additional Dance Steps," where the explanations of the turning the box and making the box travel are given become useful for the Waltz and Rumba as well as the Foxtrot. Here you quickly realize that dance patterns are interchangeable amongst dances leaving the new dancer free to practice and execute with competence the timing and movement with partner each of the individual dances. This makes the word "Quickstart," a terrific study in comprehensive development of social dancing as well as a great marketing device that more dance instructors should use called, "Value Added," for their customers. One of the first things I took issue with this book was the lack of, "Footprints on the floor illustrations." I asked my teacher and his response was firm and funny. Following footprints on the floor is like playing a game of "Twister," that is meant to produce awkward and robotically produced movement. The teacher actually demonstrated this type of movement and we all laughed - He also said he applauded Mr. Allen for not giving in to the notion that dance steps are just movements of the feet. We soon read that, "Dancing was the movement of the body directionally, and our feet were meant to accommodate and support that movement." Our teacher said Dance Pros everywhere have departed from the footprint idea because they become complex very quickly and change dancing from a physical pursuit to an intellectual one. Quickstart to Social Dancing covers the beginning of the Latin Dances - Rumba, Merengue, and the "Hottest," old new dance the Cha-cha (You'll be able to dance to Smooth, I Need to Know, Dance With Me, and Let's Get Loud.). Mr. Allen makes an excellent comparison to the differences between the leg action and foot usage of a Latin dance as compared to a progressive dance. Until you have danced for a while you'll never know how useful the directions of keeping the unsupported knee higher than supported knee are. There are fabulous tidbits of dance instruction throughout the book especially when you get to the section on Swing dancing. We have noticed that many beginners in the past few years have learned to dance the basic four or five figures shown in the Swing in a top heavy style - rather than the non- yanking pulling smooth methods you'll find in Quickstart to Social and then the 100 or more dance patterns you'll find in his book Quickstart to Swing. Well I hope with my limited three years of dance experience I have wetted your appetite to discover the many gems that are included in this book - many that you'll not find elsewhere. They have certainly helped our dancing and put us on the correct path to the great enjoyment we have had!
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