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11 of 12 people found the following review helpful:
4.0 out of 5 stars
Mostly solid facts, comic book format, August 31, 2000
A single writer partnered with 12 different artists in stories about 6 different women scientists. Some stories obviously succeed better than others. For young people who like graphic novels and have some interest in science, I recommend it highly. But as a women's history buff and a comic book fan I find it a little disappointing. The comic format is ideal for high drama stories but is not always used at it's full potential here. For example, in the life of Barbara McClintock, two pages cover the time period from 1951 to 1983. They show her lecturing to men in business suits with their hands over their ears. The crowd thins out in the 60's and then begins to swell with more casually dressed people, both male and female, who don't have their hands over their ears. Then she gets the Nobel prize. The faces in the crowds are consistently expressionless. I think this misses the real drama of McClintock's life. She was so brilliant that her theory was not understood when she first presented it. She chose to continue her research even when it was not reaching a receptive audience and because she documented it for decades, when other researchers later repeated her experiments and discovered her documentation, she received the recognition she deserved. This was seldom the case with earlier women scientists, for example, Rosalind Franklin. Franklin's fascinating story, unfortunately, is difficult to follow through time and four different artists' styles. And, in an interesting bit of reverse sexism, Birute Galdikas' story is told without once mentioning (or picturing) her first husband who worked beside her daily for 20 years. OK, so her whole life story had to be told in only 21 pages, but the ghosts of all the women scientists whose husbands' got credit for all their work recognize a kindred spirit when they see one. In a format that's known for pounding points home, the drama here is often implied and understated. Perhaps less would be missed if the format was full color instead of black and white. Better yet, read some biographies of these women and discuss with your children how you would tell their stories to preserve the real drama. This is a good introduction to some fascinating women for those who like the graphic novel format. Use it as a starting point.
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